{"title":"I, a Ngwazla","authors":"Wouleo Kazla Elie","doi":"10.15845/jaf.v6i01.3501","DOIUrl":null,"url":null,"abstract":"“I, a Ngwazala” is a cross-examination of the Ngwazla caste of Mafa society. It gives valuable insight into the lives of blacksmiths and how their culture is currently exposed to rapid transformation. This documentary presents Zayadai our key character who although trained as a blacksmith by his father, was able to study. And on the death of his father, he abandoned his studies to practice the profession of blacksmith, a profession passed down from father to son. Helped by his three young brothers, he exercises his art in order to meet the demand of the inhabitants of Djinglia Kongoche and by extension to meet the needs of his wife, his mother and his 11 brothers. Thus it gives access to important transformation processes in the Mafa society. Although the old strict separation of the Ngwazla is still present, but the increased contacts with the outside world and the influences of locally established institutions, such as the modern school system, Christian mission and Islam, are revealing new identities of Ngwazla . The Ngwazla are proud of their identity and are trying to reshape it in line with the rapid societal transformation underway.","PeriodicalId":179193,"journal":{"name":"Journal of Anthropological Films","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Anthropological Films","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15845/jaf.v6i01.3501","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
“I, a Ngwazala” is a cross-examination of the Ngwazla caste of Mafa society. It gives valuable insight into the lives of blacksmiths and how their culture is currently exposed to rapid transformation. This documentary presents Zayadai our key character who although trained as a blacksmith by his father, was able to study. And on the death of his father, he abandoned his studies to practice the profession of blacksmith, a profession passed down from father to son. Helped by his three young brothers, he exercises his art in order to meet the demand of the inhabitants of Djinglia Kongoche and by extension to meet the needs of his wife, his mother and his 11 brothers. Thus it gives access to important transformation processes in the Mafa society. Although the old strict separation of the Ngwazla is still present, but the increased contacts with the outside world and the influences of locally established institutions, such as the modern school system, Christian mission and Islam, are revealing new identities of Ngwazla . The Ngwazla are proud of their identity and are trying to reshape it in line with the rapid societal transformation underway.
“I, a Ngwazala”是对玛法社会中Ngwazla种姓的盘问。它提供了对铁匠生活的宝贵见解,以及他们的文化目前如何暴露于快速变革中。这部纪录片介绍了我们的关键人物扎亚代,他虽然被父亲训练成铁匠,但能够学习。在他父亲去世后,他放弃了学业,从事铁匠的职业,这是一种代代相传的职业。在他的三个弟弟的帮助下,他练习他的艺术,以满足Djinglia Kongoche居民的需求,进而满足他的妻子、母亲和11个兄弟的需要。因此,它为马法社会提供了重要的转型过程。虽然对恩瓦兹拉的旧的严格隔离仍然存在,但是与外部世界的接触增加以及当地建立的机构的影响,如现代学校制度、基督教会和伊斯兰教,正在揭示恩瓦兹拉的新身份。恩瓦兹拉人对自己的身份感到自豪,并正努力重塑自己的身份,以适应正在进行的快速社会转型。