Perspectives of Design for Recycling in Fashion System. Redefining fashion waste value models

Carmela Ilenia Amato, Martina Orlacchio
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Abstract

The Fashion industry is facing significant structural and systemic challenges that require a paradigm shift. According to Agamben, the resilience of complex systems is the response to the ability to adapt and evolve through the adoption of innovative and alternative approaches that are able to transfigure reality by overcoming apparent difficulties. The notion of intempestivity, in particular, assumes a critical role in building resilience based on innovation and sustainability. It is defined as a dynamic form that requires a constant process of reinvention, using apparent damage as an opportunity to evolve toward substantial improvement. Calamities, pandemic threats, food crises, destruction of ecosystems and cultural heritages are just some of the negative phenomena, in many ways dramatic, with which design, increasingly has to deal from a survival perspective, returning to "new basic needs," as well as offering solutions to improve the quality of human life. In Europe, economic growth, closely dependent on increased production and consumption of resources generates harmful effects on the environment, eroding biodiversity, and altering climate stability, health and human well-being. Current production and consumption models do not follow sustainability criteria, triggering irreversible phenomena that require urgent intervention strategies. Earth Overshoot Day signals the date when humanity has used all the biological resources that the Earth regenerates throughout the year. While dramatic, the event stirs the consciousness of individuals, about the limits of the Planet and its depleted resources. An often overlooked but significant contributor to the environmental emergency is the overproduction of clothing. According to the World Bank, the Fashion sector is responsible for 10 percent of annual global carbon emissions. Despite approaches in terms of recycling and reuse, globally 88 percent of recycling refers to polyester from bottles, with only 12 percent of recycled material coming from pre-consumer and post-consumer textile waste; moreover, global production of sustainable materials is growing significantly, although there are still negative impacts due to resource leakage in processing. The European framework calls for more efficient management of textile waste, in relation to the development of circular processes in the relevant industry. The EU Strategy for Sustainable and Circular Textiles calls for textiles to be free of harmful substances, durable, recyclable, and made with mandatory minimum amounts of recycled fibers by 2030; a generic statement that without specific objectives, results in non-compliant outcomes. The textile and apparel manufacturing sectors experience damage along the supply chain that needs a thorough investigation into production processes, shining a spotlight on the real possibilities of post-consumer recycling, from sorting to waste management, according to circular economy principles. From the complex relationship between raw materials, design and production practices and ecosystems, innovative solutions are determined by considering fragilities, environmental and social, to restore the balance. The paper brings together several case studies discussing the effectiveness of changing sectors through recycling and upcycling processes, circularity of materials, and reduction through textile waste valorization. Investigating the dynamics governing the post-consumer waste system, it reveals the effectiveness of upcycling processes in tracing models and conditions useful for sustainable transformation. The desired response of the textile/clothing sector transposes the paradigm shift between sustainable logic and the design perspective of recycling.
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服装系统中的循环设计透视。重新定义时尚废物价值模型
时装业正面临着重大的结构性和系统性挑战,需要进行范式转变。根据Agamben的说法,复杂系统的弹性是对通过采用创新和替代方法来适应和发展的能力的反应,这些方法能够通过克服明显的困难来改变现实。特别是,在建立以创新和可持续性为基础的复原力方面,缺乏吸引力的概念发挥着关键作用。它被定义为一种动态的形式,需要一个持续的再创造过程,利用明显的破坏作为一个向实质性改进发展的机会。灾难、流行病威胁、粮食危机、生态系统和文化遗产的破坏只是消极现象中的一些,在许多方面都是戏剧性的,设计越来越需要从生存的角度来处理,回归到“新的基本需求”,并提供解决方案来提高人类生活质量。在欧洲,密切依赖于资源生产和消费增加的经济增长对环境产生有害影响,侵蚀生物多样性,改变气候稳定、健康和人类福祉。目前的生产和消费模式不符合可持续性标准,引发了需要紧急干预战略的不可逆转现象。地球生态超载日标志着人类已经用尽地球全年再生的所有生物资源的日期。这一事件虽然引人注目,但却激起了人们对地球有限性及其资源枯竭的意识。造成环境紧急情况的一个经常被忽视但重要的因素是服装生产过剩。根据世界银行的数据,时尚行业的碳排放量占全球年度碳排放量的10%。尽管采取了回收和再利用的方法,但全球88%的回收是指来自瓶子的聚酯,只有12%的回收材料来自消费前和消费后的纺织废料;此外,全球可持续材料的生产正在显著增长,尽管由于加工过程中的资源泄漏仍然存在负面影响。欧洲框架要求对纺织废料进行更有效的管理,以发展相关行业的循环过程。欧盟可持续和循环纺织品战略要求纺织品不含有害物质,耐用,可回收,并在2030年之前使用最低数量的回收纤维;没有具体目标,导致不合规结果的一般性陈述。纺织和服装制造业的供应链受到了损害,需要对生产过程进行彻底的调查,根据循环经济原则,从分类到废物管理,让人们关注消费后回收的真正可能性。从原材料、设计和生产实践以及生态系统之间的复杂关系中,通过考虑环境和社会的脆弱性来确定创新的解决方案,以恢复平衡。本文汇集了几个案例研究,讨论了通过回收和升级回收过程改变行业的有效性,材料的循环性,以及通过纺织废物增值来减少。调查控制消费后废物系统的动态,它揭示了升级回收过程在跟踪模型和条件对可持续转型有用的有效性。纺织/服装行业的预期反应在可持续逻辑和循环利用的设计角度之间进行了范式转换。
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