{"title":"Not Quite Hollywood","authors":"C. Waddell","doi":"10.3366/edinburgh/9781474409254.003.0002","DOIUrl":null,"url":null,"abstract":"How to define an exploitation film – and what separates the exploitation cinema produced in America during the timeline of this book from that of the B-movie. The chapter also explores the aesthetic and thematic approaches of exploitation cinema in the post-classical era. The chapter concludes upon what makes American exploitation cinema unique.","PeriodicalId":325933,"journal":{"name":"The Style of Sleaze","volume":"38 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Style of Sleaze","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474409254.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
How to define an exploitation film – and what separates the exploitation cinema produced in America during the timeline of this book from that of the B-movie. The chapter also explores the aesthetic and thematic approaches of exploitation cinema in the post-classical era. The chapter concludes upon what makes American exploitation cinema unique.