{"title":"1 „Groß als Tänzer“ oder „armer Prahlhans“. Ambiguität im Tanz in Heinrich Heines Atta Troll (1847)","authors":"","doi":"10.1515/9783110759815-016","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":197883,"journal":{"name":"Tanz in der Literatur","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tanz in der Literatur","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9783110759815-016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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