Growing Generation Z audiences: Untapped audiences of Chinese Instrumental Music in Singapore

Samantha Tham, S. Wong
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Abstract

While the arts in Singapore $nd new ways to propel in a new pandemic world, traditional arts consequently too, face increasing challenges in withstanding the currents of modernisation (Quek 2020, 29). Attracting new audiences amidst the current backdrop of digitisation is a priority for Chinese instrumental music companies. Generation Z (Gen Z) are soon to be the most populous generation as they are accountable for more than one-third of the global population of 7.7 billion (Deloitte 2019, 22). Speci$ed as those born a#er 1995, Gen Z will eventually be key stakeholders of the arts as the generation grows and matures as audiences and patrons.2
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不断增长的Z世代听众:新加坡尚未开发的中国器乐听众
虽然新加坡的艺术在新的流行病世界中创造了新的推动方式,但传统艺术因此也面临着越来越多的挑战,以抵御现代化的潮流(Quek 2020, 29)。在当前的数字化背景下,吸引新的听众是中国器乐公司的首要任务。Z世代(Gen Z)很快将成为人口最多的一代,因为他们占全球77亿人口的三分之一以上(德勤2019,22)。Z世代指的是1995年后出生的人,随着这一代人作为观众和赞助人的成长和成熟,他们最终将成为艺术的关键利益相关者
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