La «melodia selvaggia» della Natura Una metafora di libertà metrica da d’Annunzio ai poeti di primo Novecento

Federica Massia
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Abstract

The article aims at verifying how Gabriele d’Annunzio’s idea of the correspondence between poetry and nature has influenced many Italian poets at the beginning of the 20th century, with particular regard to their choice of the free verse. Following the example of many poems of Alcyone (such as L’Onda or Le stirpi canore), many symbolist and futurist poets (e.g. Lucini, Buzzi, Soffici) employed the comparison with natural elements in order to explain their search for a new rhythm, free from the strictness of traditional forms. Moreover, this study suggests that d’Annunzio may have found inspiration in Walt Whitman for the development of this principle.
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从达南齐奥到20世纪初的诗人,大自然的“狂野旋律”是衡量自由的隐喻
本文旨在验证加布里埃尔·达农齐奥关于诗歌与自然之间对应关系的观点如何影响了20世纪初的许多意大利诗人,特别是他们对自由诗的选择。许多象征主义和未来主义诗人(如Lucini, Buzzi, Soffici)以Alcyone的许多诗歌(如L 'Onda或Le stirpi canore)为例,利用与自然元素的比较来解释他们对新节奏的追求,摆脱了传统形式的严格。此外,这项研究表明,达南齐奥可能从沃尔特·惠特曼(Walt Whitman)身上找到了发展这一原则的灵感。
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Montale e d'Annunzio: un rapporto poco gradito (e poco frequentato) dalla critica Attraversare d’Annunzio? Corazzini, Gozzano e il Maestro (forse) avverso La «melodia selvaggia» della Natura Una metafora di libertà metrica da d’Annunzio ai poeti di primo Novecento Alcyone come modello nella poesia di Goliarda Sapienza Prime osservazioni per uno studio in corso La ricerca dell'io
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