Domestic and foreign contexts of Czech music education

M. Kodejska
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Abstract

This study focuses on significant historical events in the context of music education at public schools from the 1930s to the present. It characterizes music education since the founding of the Society for Music Education in the Czechoslovak Republic in 1934, clarifies the circumstances of establishing the International Society for Music Education (ISME) rooted in Prague, and deals with the state of music education during World War II. The article focuses on the most critical post-war events, on integrating progressive systems into general music education (Orff’s Schulwerk) in the 1960s and 1980s, and on poly-esthetic and integrative music pedagogy in the 1990s the last century. Regarding this study, the author applies his personal experience and knowledge gained from many years of working for European music organizations. Within this article, the author also evaluates important conferences and activities of the Visegrád Music Team, characterizes the current state and main theses of further development of music education, and personally contributes to them with his suggestions. This study is based on some hitherto unknown sources obtained from a few significant personalities.
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捷克音乐教育的国内外语境
本研究聚焦于20世纪30年代至今公立学校音乐教育背景下的重大历史事件。它描述了自1934年捷克斯洛伐克共和国音乐教育协会成立以来的音乐教育,阐明了植根于布拉格的国际音乐教育协会(ISME)成立的情况,并讨论了第二次世界大战期间音乐教育的状况。本文主要关注战后最关键的事件,20世纪60年代和80年代将进步系统融入普通音乐教育(奥尔夫的Schulwerk),以及上世纪90年代的多元美学和综合音乐教学法。在这项研究中,作者运用了他在欧洲音乐组织工作多年的个人经验和知识。本文还对Visegrád音乐团队的重要会议和活动进行了评价,对音乐教育的现状和进一步发展的主要论点进行了描述,并提出了自己的建议。这项研究基于一些迄今为止未知的来源,这些来源来自一些重要的人物。
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