Mad Max and Mapping the Monsters in the Networks

Kieran Tranter
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Abstract

This chapter examines living in technical legality from the location of the legal scholar. Technical legality means that thinking about law and especially law and technology, has to escape the circularity of the Frankenstein myth, through coming to know the complex networks of technical legality. In this chapter George Miller’s classic Australian post-apocalyptic film Mad Max 2: The Road Warrior provides a map of the functions of a very familiar manifestation of technological humanity, the human-automobile in Australian law, politics and culture. What is shown through this cartography is a way of thinking law and technology that goes beyond the closed metaphysics of the Frankenstein myth. In mapping complexity, complicity, collusions and surprises within the networks of the present, the law scholar-nodes functions as a privileged location whereby the technical legality can be self-reflective; where the effects and affects of the continually changing world are seen. Further, in generating knowledge about the networks of the present, law-scholar-nodes can empower others, other embodied nodes in the networks, the monsters that have come to inherit the Earth, to live well in technical legality.
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《疯狂的麦克斯》和《网络怪物地图》
本章从法律学者的定位出发,考察技术合法性中的生活。技术合法性意味着对法律,特别是法律与技术的思考,必须通过认识技术合法性的复杂网络来摆脱弗兰肯斯坦神话的循环。在本章中,乔治·米勒的经典澳大利亚后世界末日电影《疯狂的麦克斯2:公路战士》提供了一个非常熟悉的技术人性表现形式的功能地图,人类汽车在澳大利亚法律,政治和文化中的作用。通过这幅地图所展示的是一种思考法律和技术的方式,超越了弗兰肯斯坦神话的封闭形而上学。在映射当前网络中的复杂性、共谋、勾结和意外时,法律学者节点作为一个特权位置,在这里技术合法性可以自我反思;在那里可以看到不断变化的世界的影响和影响。此外,在产生关于当前网络的知识时,法律学者节点可以授权其他人,网络中其他具体化的节点,已经继承地球的怪物,在技术合法性中生活得很好。
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