Marking Your Territory

K. Milazzo
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Abstract

This chapter explores the coping strategies and struggles of five European and American flamenco dancers seeking employment opportunities in a competitive marketplace profoundly affected by the economic downturn in 2005. Shifts in the performing arts system indicate that the need to fill theaters with dancers direct from Spain takes precedence over supporting local companies, a marketing strategy compounded by the limitations of what audiences frequently expect in flamenco performances. As a cultural industry, the link between Carmen and flamenco creates anachronistic ideations that limit innovative interpretations. Another recent development is that rehearsal and performance spaces are rapidly dwindling due to rampant gentrification, especially in large cities. Through a series of interviews, these five dancers reveal how they negotiate obstacles and detours as they strive to convey the essence of Spanish culture in flamenco and to present well-crafted work that reflects them as individual, spirited artists.
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本章探讨了五名欧美弗拉门戈舞者在竞争激烈的市场中寻求就业机会的应对策略和挣扎,这些市场受到2005年经济衰退的深刻影响。表演艺术体系的变化表明,从西班牙直接引进舞者来填补剧院的需求比支持当地公司更为重要,这是一种营销策略,而且观众对弗拉门戈表演的期望往往受到限制。作为一种文化产业,卡门和弗拉门戈之间的联系创造了不合时宜的观念,限制了创新的解释。最近的另一个发展是,由于猖獗的中产阶级化,排练和表演空间正在迅速减少,尤其是在大城市。通过一系列的采访,这五位舞者揭示了他们是如何克服障碍和弯路的,因为他们努力在弗拉门戈中传达西班牙文化的精髓,并呈现出精心制作的作品,反映了他们作为个人的,充满活力的艺术家。
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