« Trans/ou inter-figurations » sémiotiques : réflexions sur « Theatre painting »

Danièle Berton-Charrière
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Abstract

“Theatre painting” partakes of two genres of representation. A reflection on the processes and devices involved during the passage from one support to the other and from one form of figuration to the other is carried out from the study of graphic and pictorial works based on some of William Shakespeare’s plays. Intersemiotic encoding and decoding serve the translation.
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符号学的“跨/或跨形象”:对“戏剧绘画”的思考
“剧场绘画”有两种表现形式。通过对基于威廉·莎士比亚戏剧的图形和图像作品的研究,对从一种支持到另一种支持以及从一种形式到另一种形式的过程和设备进行了反思。间断性编码和译码为翻译服务。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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