Pandemic, but Make It Fashion: Ukrainian Embroidered PPE in the Time of COVID-19

Katya Chomitzky
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Abstract

Embroidered pandemic wear has become one of the newest cultural fashion trends to emerge in Ukraine and within its Canadian diaspora. This article explores the ways in which embroidery as a traditional form of culture retains meaning within modern contexts, while also serving as a vehicle for experimenting with atypical applications of cultural symbols and representations. Throughout the COVID-19 pandemic, cloth masks have been recommended by public health officials, including the World Health Organization, as a preventative measure to limit the spread of the virus. On the basis of digital fieldwork, I discuss the meanings and inspirations behind these embroidered masks, while conducting a material culture analysis of the objects themselves. I argue that, through a subversion of their common purpose— to hide one’s identity— masks have been used in the pandemic as an open/performative display of culture. I contend that this display acts as a means to promote tradition through ephemera and assert cultural importance. This, coupled with the personal/private use of embroidery as a protective talisman, has fueled a trend of embroidered personal protective equipment in popular culture. In this article, I examine the purpose, use, and form of these masks in order to bring light to the ways in which cultural traditions and objects act (and developed prevalence) as a form of pandemic response.
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大流行,但让它成为时尚:COVID-19时期的乌克兰刺绣PPE
刺绣流行服装已成为乌克兰及其加拿大侨民中出现的最新文化时尚趋势之一。本文探讨了刺绣作为一种传统文化形式在现代语境中保留意义的方式,同时也作为一种试验文化符号和表征的非典型应用的工具。在2019冠状病毒病大流行期间,包括世界卫生组织在内的公共卫生官员一直建议使用布口罩,作为限制病毒传播的预防措施。在数字田野调查的基础上,我讨论了这些刺绣面具背后的意义和灵感,同时对物品本身进行了物质文化分析。我认为,通过颠覆其隐藏身份的共同目的,口罩在疫情中被用作一种公开/表演的文化展示。我认为,这种展示是一种通过短暂来促进传统和维护文化重要性的手段。这一点,加上个人/私人使用刺绣作为保护护身符,推动了流行文化中刺绣个人防护装备的趋势。在这篇文章中,我研究了这些面具的目的、用途和形式,以便揭示文化传统和物品作为一种流行病应对形式的行为方式(以及发展的流行)。
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