CHAPTER 4 When the Wind is the Answer: The Use of Bob Dylan Songs in Worship Services in Protestant Churches

P. K. Botvar
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Abstract

The songs of Bob Dylan are often used in the worship services of Protestant, and especially Lutheran, churches in Scandinavia. Since the mid-1990s more than 100 so-called Dylan masses have been celebrated in Norway alone. This can be explained partly by the fact that Dylan has been recognized as a major artist in all sections of society, and partly by the fact that the national Lutheran churches have accepted popular music as a natural part of their worship. In this article, I look more closely at the reasons behind the use of Bob Dylan’s music in worship in Scandinavia and examine the discussion around this that has been going on within church communities. My empirical basis consists of interviews with ten ministers and church musicians. The material shows that different types of argumentation are used with regard to the use of Dylan’s music in the church, and that this is related to the respondent’s approach to popular culture in general and the way in which they regard the worship service.
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第四章当风是答案:鲍勃·迪伦的歌曲在新教教堂礼拜仪式中的使用
鲍勃·迪伦的歌曲经常被用在斯堪的纳维亚半岛新教,尤其是路德教会的礼拜仪式中。自20世纪90年代中期以来,仅在挪威就举行了100多场所谓的迪伦弥撒。这一方面可以解释为迪伦在社会各阶层都被公认为是一位重要的艺术家,另一方面可以解释为全国性的路德教会已经接受了流行音乐作为他们崇拜的自然组成部分。在这篇文章中,我更仔细地研究了在斯堪的纳维亚半岛的礼拜中使用鲍勃·迪伦的音乐背后的原因,并研究了在教会社区中一直在进行的关于这一点的讨论。我的经验基础包括对十位牧师和教堂音乐家的采访。材料表明,不同类型的论证使用关于迪伦的音乐在教堂的使用,这是有关受访者的方法,一般流行文化和他们认为崇拜服务的方式。
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CHAPTER 4 When the Wind is the Answer: The Use of Bob Dylan Songs in Worship Services in Protestant Churches CHAPTER 2 “The Titanic sails at dawn”: Bob Dylan, “Tempest”, and the Apocalyptic Imagination CHAPTER 8 Bob Dylan’s Ten Commandments – a Method for Personal Transformation CHAPTER 7 Hard Rain: The End of Times and Christian Modernism in the Work of Bob Dylan CHAPTER 5 The Visual Dylan: Religious Art, Social Semiotics and Album Covers
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