ANIMAL PATTERNS USED ON THE TURKISH TILE AND CERAMICS AND THEIR REFLECTION ON CLOTHING DESIGN

Nuran Ocakoğlu
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Abstract

It is known that the origin of Turkish tile and ceramic art, which has a very important place in traditional Turkish arts, dates back to Central Asia. Turkish tile and ceramic art, which showed its greatest development in Anatolia, started with the Anatolian Seljuks. Developing over the centuries, this art experienced its golden age in Ottoman times with its unique aesthetic values. The source of the motifs used in the Turkish tile art dates back to the Turkish tribes living in Asia. Animal figures have always been an important decoration element in Turks who are originally from the steppe culture.Although the animal figure which was seen in Seljuk period tiles and ceramicsdecreased due to the influence of Islam in the Ottoman period, it has been artfully painted within this branch of artfrom past to present. In this study, animal figures used in Turkish tile and ceramic artfrom past to present have been studied and these motifs are intended to be reflected in contemporary women's clothing. It is important to give different usage characteristicsto these patterns within modern life for the preservation of Turkish tile and ceramic patternswhich is one of our important cultural heritage.
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土耳其瓷砖和陶瓷上的动物图案及其在服装设计上的反映
众所周知,土耳其瓷砖和陶瓷艺术在土耳其传统艺术中占有非常重要的地位,其起源可以追溯到中亚。土耳其的瓷砖和陶瓷艺术在安纳托利亚得到了最大的发展,始于安纳托利亚的塞尔柱人。经过几个世纪的发展,这种艺术在奥斯曼时代以其独特的审美价值经历了它的黄金时代。土耳其瓷砖艺术中使用的图案可以追溯到生活在亚洲的土耳其部落。对于来自草原文化的突厥人来说,动物形象一直是重要的装饰元素。虽然由于奥斯曼帝国时期伊斯兰教的影响,在塞尔柱时期的瓷砖和陶瓷上看到的动物形象减少了,但从过去到现在,它一直被巧妙地画在这一艺术分支中。在这项研究中,从过去到现在,土耳其瓷砖和陶瓷艺术中使用的动物形象被研究,这些图案旨在反映在当代女性的服装中。重要的是在现代生活中赋予这些图案不同的使用特征,以保护土耳其瓷砖和陶瓷图案,这是我们重要的文化遗产之一。
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SELJUKIAN TILE AND CERAMICS WITH THE INTERPRETATION OF SITKI OLCAR CENGIZ AYTMATOV IN THE WORKS OF KYRGYZ NATIONAL PAINTERS ANIMAL PATTERNS USED ON THE TURKISH TILE AND CERAMICS AND THEIR REFLECTION ON CLOTHING DESIGN SILLE POTTERY TRADITION AND TODAY CLOTHING DESIGNS INSPIRED BY THE ROBE OF SULTAN OSMAN
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