Conclusion

Erin Twohig
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Abstract

The five chapters of Contesting the Classroom show how authors have reimagined and renegotiated literature’s place within the schools that create future generations of readers. In many cases, these reimaginations are suffused with palpable anxiety over the state of education. Yet they also creatively rethink the educational endeavor, and literature’s relationship to it. Indeed, a common thread in the novels examined in this work is the idea that literature's pedagogical potential does not stop at the doors of the classroom, nor is it limited by traditional classroom definitions of pedagogy. Accordingly, the conclusion of this work poses a series of questions in the spirit of these texts, that open themselves up to other spaces of encounter besides the public school classroom, and other forms of pedagogical writing besides linear narrative prose. In what spaces outside of the classroom do students encounter local literature? And what are the unexpected genres and styles, beyond the print narrative, that engage with education? New locations of pedagogical encounter discussed include small publishers, book fairs, and online spaces; other genres include photography and song.
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结论
《课堂之争》的五个章节展示了作者们是如何重新构想和重新协商文学在学校中的地位的,这些学校创造了未来几代读者。在许多情况下,这些想象充满了对教育状况的明显焦虑。然而,他们也创造性地重新思考教育努力,以及文学与教育的关系。事实上,在这项工作中研究的小说中有一个共同的线索,即文学的教学潜力并不局限于课堂门口,也不受传统课堂教育学定义的限制。因此,这项工作的结论在这些文本的精神中提出了一系列问题,这些问题向公立学校课堂之外的其他相遇空间和线性叙事散文之外的其他教学写作形式开放。学生们在课堂之外的哪些地方会接触到当地文学?除了印刷叙事之外,与教育有关的意想不到的体裁和风格是什么?讨论的教学相遇的新地点包括小型出版商、书展和在线空间;其他类型包括摄影和歌曲。
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