Slam Poetry and Poetry Slams im Fremdsprachen- unterricht: Erleben, Analysieren, selbst Verfassen und Präsentieren

Almut Hille
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Abstract

Slam poetry and poetry slams position a performative act at the forefront of the foreign language classroom, and thereby present numerous possibilities for linguistic, cultural and artistic teaching and learning. This allows for a form of applied language to be learned and experimented with that draws attention to the receptive and interpretive possibilities of the utterances as well as to the aesthetic dimensions of texts and the media of their presentation. Slam poetry in the foreign language classroom can enable immediate impressions and interactions, most typically among young slammers, and encourage closer analysis of texts, their performance, and the media involved in their performance. Slam poetry can also encourage students to create and perform their own texts. Such assignments promote basic communicative competencies as well as individual skill sets. This contribution will articulate these aspects on the basis of recent research on slam poetry and poetry slams in the foreign language classroom. It will also cover newer empirical studies of the successes of performative pedagogies, of poetic practice with spoken poems, and of learning to recite poetry in a foreign language. An example of such a praxis will show how learners can compose their own slam poetry and present their poems in (public) poetry slams that they organize themselves or in self-produced poetry videos.
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反诗与诗歌,教学:体验,分析,撰写,展示
大满贯诗歌和大满贯诗歌将一种表演行为置于外语课堂的前沿,从而为语言、文化和艺术的教与学提供了许多可能性。这允许一种应用语言的形式被学习和实验,吸引人们注意话语的接受和解释的可能性,以及文本的美学维度和它们的呈现媒体。外语课堂上的灌篮诗歌能让学生(尤其是年轻的灌篮学生)产生直接的印象和互动,并鼓励他们更深入地分析文本、他们的表演以及参与表演的媒体。大满贯诗歌还可以鼓励学生创作和表演自己的文本。这样的任务既能提高基本的交际能力,也能提高个人技能。这篇文章将在最近关于猛击诗歌和外语课堂中的猛击诗歌研究的基础上阐明这些方面。它还将涵盖表演教学法、诗歌口语练习和学习用外语背诵诗歌的成功的最新实证研究。这种实践的一个例子将展示学习者如何创作他们自己的诗歌,并在他们自己组织的(公共)诗歌集会或自己制作的诗歌视频中展示他们的诗歌。
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