New Opportunities in Film: Korngold and Warner Bros.

Ben H. Winters
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Abstract

This chapter sketches an overview of Erich Korngold's film output that draws attention to the variety of scenarios for which he provided music. It also discusses the kinds of musical gestures and techniques he used to help him meet their dramatic demands. In many ways these techniques represent a significant expansion from the range demonstrated by his operatic output; in that sense Korngold's Hollywood career was not a regression from the culturally engaged world of opera but represented an opportunity to develop his gifts as a musical dramatist. After a brief summary of Korngold's working practices, the chapter explores the sound of his scores—including his use of particular orchestral colors—and his ability to score a variety of narrative scenarios. It then outlines some aspects of his approach to scoring, including his thematic technique.
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电影的新机遇:科恩戈尔德和华纳兄弟。
本章概述了埃里希·科恩戈尔德的电影作品,并将注意力集中在他为其提供音乐的各种场景上。它还讨论了各种音乐手势和技巧,他用来帮助他满足他们的戏剧需求。在许多方面,这些技术代表了他的歌剧作品所展示的范围的重大扩展;从这个意义上说,科恩戈尔德的好莱坞生涯并不是从文化参与的歌剧世界中退步,而是一个发展他作为音乐剧作家天赋的机会。在简要总结了科恩戈尔德的工作实践之后,本章探讨了他的配乐的声音——包括他对特殊管弦乐色彩的使用——以及他为各种叙事场景配乐的能力。然后概述了他的得分方法的一些方面,包括他的主题技术。
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Index Some Experiences in Film Music Frontmatter Recollections of Zemlinsky from My Years of Study Preface and Acknowledgments
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