Pub Date : 2019-12-31DOI: 10.1515/9780691198736-015
Erich Wolfgang Korngold
{"title":"Some Experiences in Film Music","authors":"Erich Wolfgang Korngold","doi":"10.1515/9780691198736-015","DOIUrl":"https://doi.org/10.1515/9780691198736-015","url":null,"abstract":"","PeriodicalId":186845,"journal":{"name":"Korngold and His World","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124683284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-31DOI: 10.1515/9780691198736-009
Amy Lynn Wlodarski
{"title":"American and Austrian Ruins in Korngold’s Symphony in F-sharp","authors":"Amy Lynn Wlodarski","doi":"10.1515/9780691198736-009","DOIUrl":"https://doi.org/10.1515/9780691198736-009","url":null,"abstract":"","PeriodicalId":186845,"journal":{"name":"Korngold and His World","volume":"74 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133037295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-31DOI: 10.1515/9780691198736-011
Erich Wolfgang Korngold
{"title":"Notes for an Interview","authors":"Erich Wolfgang Korngold","doi":"10.1515/9780691198736-011","DOIUrl":"https://doi.org/10.1515/9780691198736-011","url":null,"abstract":"","PeriodicalId":186845,"journal":{"name":"Korngold and His World","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133654601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-31DOI: 10.1515/9780691198736-010
Erich Wolfgang Korngold
{"title":"Recollections of Zemlinsky from My Years of Study","authors":"Erich Wolfgang Korngold","doi":"10.1515/9780691198736-010","DOIUrl":"https://doi.org/10.1515/9780691198736-010","url":null,"abstract":"","PeriodicalId":186845,"journal":{"name":"Korngold and His World","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129307943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-31DOI: 10.1515/9780691198736-001
{"title":"Preface and Acknowledgments","authors":"","doi":"10.1515/9780691198736-001","DOIUrl":"https://doi.org/10.1515/9780691198736-001","url":null,"abstract":"","PeriodicalId":186845,"journal":{"name":"Korngold and His World","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131383508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-31DOI: 10.1515/9780691198736-fm
{"title":"Frontmatter","authors":"","doi":"10.1515/9780691198736-fm","DOIUrl":"https://doi.org/10.1515/9780691198736-fm","url":null,"abstract":"","PeriodicalId":186845,"journal":{"name":"Korngold and His World","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125286120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-31DOI: 10.1515/9780691198736-018
{"title":"Index","authors":"","doi":"10.1515/9780691198736-018","DOIUrl":"https://doi.org/10.1515/9780691198736-018","url":null,"abstract":"","PeriodicalId":186845,"journal":{"name":"Korngold and His World","volume":"183 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121882743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-27DOI: 10.23943/princeton/9780691198293.003.0005
Ben H. Winters
This chapter sketches an overview of Erich Korngold's film output that draws attention to the variety of scenarios for which he provided music. It also discusses the kinds of musical gestures and techniques he used to help him meet their dramatic demands. In many ways these techniques represent a significant expansion from the range demonstrated by his operatic output; in that sense Korngold's Hollywood career was not a regression from the culturally engaged world of opera but represented an opportunity to develop his gifts as a musical dramatist. After a brief summary of Korngold's working practices, the chapter explores the sound of his scores—including his use of particular orchestral colors—and his ability to score a variety of narrative scenarios. It then outlines some aspects of his approach to scoring, including his thematic technique.
{"title":"New Opportunities in Film: Korngold and Warner Bros.","authors":"Ben H. Winters","doi":"10.23943/princeton/9780691198293.003.0005","DOIUrl":"https://doi.org/10.23943/princeton/9780691198293.003.0005","url":null,"abstract":"This chapter sketches an overview of Erich Korngold's film output that draws attention to the variety of scenarios for which he provided music. It also discusses the kinds of musical gestures and techniques he used to help him meet their dramatic demands. In many ways these techniques represent a significant expansion from the range demonstrated by his operatic output; in that sense Korngold's Hollywood career was not a regression from the culturally engaged world of opera but represented an opportunity to develop his gifts as a musical dramatist. After a brief summary of Korngold's working practices, the chapter explores the sound of his scores—including his use of particular orchestral colors—and his ability to score a variety of narrative scenarios. It then outlines some aspects of his approach to scoring, including his thematic technique.","PeriodicalId":186845,"journal":{"name":"Korngold and His World","volume":"737 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116991851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-27DOI: 10.1515/9780691198736-014
J. Korngold, B. Gilliam
This chapter presents some correspondence between Erich Korngold and his father, Julius. These letters reflect a tumultuous, even dangerous time for Erich and his extended family. The famed Viennese opera composer had had a prestigious career on the international musical stage with such works as Der Ring des Polykrates and Violanta (both 1916), which premiered in Munich when he was only nineteen years old. Die tote Stadt was so highly anticipated that it received an unusual double premiere in Hamburg and Cologne on December 4, 1920; the Vienna premiere followed shortly thereafter, with Richard Strauss congratulating the composer backstage after each act. And yet, as the chapter shows, Adolf Hitler cast a large shadow over Austria in the early 1930s, and Julius repeatedly urged his son to remain in the United States.
{"title":"“Give up your plans of coming home”: Letters of a Viennese Father to His Son","authors":"J. Korngold, B. Gilliam","doi":"10.1515/9780691198736-014","DOIUrl":"https://doi.org/10.1515/9780691198736-014","url":null,"abstract":"This chapter presents some correspondence between Erich Korngold and his father, Julius. These letters reflect a tumultuous, even dangerous time for Erich and his extended family. The famed Viennese opera composer had had a prestigious career on the international musical stage with such works as Der Ring des Polykrates and Violanta (both 1916), which premiered in Munich when he was only nineteen years old. Die tote Stadt was so highly anticipated that it received an unusual double premiere in Hamburg and Cologne on December 4, 1920; the Vienna premiere followed shortly thereafter, with Richard Strauss congratulating the composer backstage after each act. And yet, as the chapter shows, Adolf Hitler cast a large shadow over Austria in the early 1930s, and Julius repeatedly urged his son to remain in the United States.","PeriodicalId":186845,"journal":{"name":"Korngold and His World","volume":"181 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121128638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"New Opportunities in Film:","authors":"Ben H. Winters","doi":"10.2307/j.ctvdjrp0h.9","DOIUrl":"https://doi.org/10.2307/j.ctvdjrp0h.9","url":null,"abstract":"","PeriodicalId":186845,"journal":{"name":"Korngold and His World","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134362221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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