Flávio Luiz Schiavoni, Adilson Siqueira, Rogério Tavares Constante, Igino Silva Junior, Thiago de Andrade Morandi, Fábio Dos Passos Carvalho, João Teixeira Araújo, André Lucas Nascimento Gomes, Frederico Resende, Luísa Lugon-Moulin Brazil Santos, Avner De Paulo, Carlos Souza, Allyson Da Cruz Rodrigues, Igor Alves Estevam Andrade, Aneliza Rodrigues Prado, Patrick Veniali Da Silva, João Lucas Ruas Teixeira, A. B. D. Lima, Bruna Guimarães Lima e Silva, Ívyla Nascimento Silva, Wanderson Andre Martins Pereira, Rafael Gomes De Oliveira, Octávio Ferreira Deluchi Cerqueira Da Silva, Valdir De Siqueira Santos Junior, Matteo Vinicius Alves Recinella
{"title":"O Chaos das 5","authors":"Flávio Luiz Schiavoni, Adilson Siqueira, Rogério Tavares Constante, Igino Silva Junior, Thiago de Andrade Morandi, Fábio Dos Passos Carvalho, João Teixeira Araújo, André Lucas Nascimento Gomes, Frederico Resende, Luísa Lugon-Moulin Brazil Santos, Avner De Paulo, Carlos Souza, Allyson Da Cruz Rodrigues, Igor Alves Estevam Andrade, Aneliza Rodrigues Prado, Patrick Veniali Da Silva, João Lucas Ruas Teixeira, A. B. D. Lima, Bruna Guimarães Lima e Silva, Ívyla Nascimento Silva, Wanderson Andre Martins Pereira, Rafael Gomes De Oliveira, Octávio Ferreira Deluchi Cerqueira Da Silva, Valdir De Siqueira Santos Junior, Matteo Vinicius Alves Recinella","doi":"10.5753/sbcm.2019.10457","DOIUrl":null,"url":null,"abstract":"“O Chaos das 5” is an audiovisual digital performance. The guideline of the performance is inspired by Alice, from Lewis Carroll book - Alice in the Wonderland, as a metaphor to take the audience to a synthetic and disruptive wonder world. The concept of the performance is to conceive the possibility to the audience to interact through digital interfaces creating an immersive and participatory experience by combining three important layers of information (music, projections and gestures) through their cellphones. Once that the audience members take part of the show on an immersive aspect, there is no stage or another mark to limit the space of the performers and the audience.","PeriodicalId":338771,"journal":{"name":"Anais do Simpósio Brasileiro de Computação Musical (SBCM 2019)","volume":"26 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anais do Simpósio Brasileiro de Computação Musical (SBCM 2019)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5753/sbcm.2019.10457","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
“O Chaos das 5” is an audiovisual digital performance. The guideline of the performance is inspired by Alice, from Lewis Carroll book - Alice in the Wonderland, as a metaphor to take the audience to a synthetic and disruptive wonder world. The concept of the performance is to conceive the possibility to the audience to interact through digital interfaces creating an immersive and participatory experience by combining three important layers of information (music, projections and gestures) through their cellphones. Once that the audience members take part of the show on an immersive aspect, there is no stage or another mark to limit the space of the performers and the audience.
“O Chaos das 5”是一场视听数字表演。演出的指导思想以刘易斯·卡罗尔的书《爱丽丝梦游仙境》中的爱丽丝为隐喻，将观众带入一个合成的、颠覆性的奇妙世界。表演的概念是设想观众通过数字界面进行互动的可能性，通过手机结合三个重要的信息层(音乐、投影和手势)，创造一种身临其境的参与式体验。一旦观众以身临其境的方式参与演出，就没有舞台或其他标志来限制表演者和观众的空间。
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