{"title":"Bodies of Water: Posthuman Feminist Phenomenology by Astrida Neimanis (2019)","authors":"M. Campbell","doi":"10.60162/swamphen.7.14371","DOIUrl":null,"url":null,"abstract":"To read Astrida Neimanis’s Bodies of Water is to immerse oneself in a fluid poetics, contemplating the teeming, virtual infinity of lifeforms for which water, in its myriad incarnations, supplies the medium of connection and dispersal; of gestation and differentiation through space-time. Through its feminist posthuman phenomenological lens, this work recasts the intertextual net eloquently and generously, re-inflecting a polyphony of feminist, philosophical, poetic, and scientific voices to address our planetary emergency in the wake of ecocidal extractionist and consumerist practices. Neimanis’s project seeks to ‘inaugurate’ new ‘ontologies [that…] are not only about correcting a phallologocentric understanding of bodies, but also about developing imaginaries that might allow us to relate differently’ (Neimanis 11). ","PeriodicalId":197436,"journal":{"name":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","volume":"99 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.60162/swamphen.7.14371","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
To read Astrida Neimanis’s Bodies of Water is to immerse oneself in a fluid poetics, contemplating the teeming, virtual infinity of lifeforms for which water, in its myriad incarnations, supplies the medium of connection and dispersal; of gestation and differentiation through space-time. Through its feminist posthuman phenomenological lens, this work recasts the intertextual net eloquently and generously, re-inflecting a polyphony of feminist, philosophical, poetic, and scientific voices to address our planetary emergency in the wake of ecocidal extractionist and consumerist practices. Neimanis’s project seeks to ‘inaugurate’ new ‘ontologies [that…] are not only about correcting a phallologocentric understanding of bodies, but also about developing imaginaries that might allow us to relate differently’ (Neimanis 11).