After Volmar

H. Meconi
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Abstract

This chapter covers Hildegard’s turbulent last years. Her last theological treatise, Liber divinorum operum, was completed after Volmar died; his replacement, Gottfried of Disibodenberg, began Hildegard’s Vita but died before completing it. The monk Guibert of Gembloux transmitted the questions that generated her Solutiones triginta octo quaestionum and solicited an important description of the nature of Hildegard’s visions. The Dendermonde manuscript including her music was sent to the monks of Villers Abbey, and the Riesencodex (also with her music) was begun. Her community was placed under interdict for burying a supposed excommunicate in sacred ground, and Hildegard’s subsequent “Letter to the Prelates of Mainz” includes her most powerful statement about the importance of music. The chapter closes with a description of the heavenly lights that followed her burial.
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这一章讲述了希尔德加德动荡的最后几年。她的最后一部神学著作《神学著作》(Liber divinorum operum)是在沃尔玛去世后完成的;他的继任者,狄斯波登堡的戈特弗里德,开始了希尔德加德的《生活》,但在完成之前就去世了。Gembloux的修道士吉伯特(Guibert)传递了一些问题,这些问题产生了她的“解决三分之一的问题”(solutions triginta octo),并征求了对希尔德加德愿景本质的重要描述。包括她的音乐在内的《登德蒙德》手稿被送到了维勒修道院的修道士手中,《诗经》(也有她的音乐)开始出版。她的社区被禁止在圣地埋葬一个被逐出教会的人,希尔德加德随后的《致美因茨主教的信》中包含了她关于音乐重要性的最有力的声明。这一章最后描述了她被埋葬后天上的光。
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After Volmar Longer Genres Aftermath Liturgy and Shorter Genres New Creations
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