Hitler Darkens the Waters

Barbara Lounsberry
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Abstract

By 1938, Hitler “had taken over and was dictating the narrative of European history,” Rosenfeld notes. Virginia Woolf's books—including her diary—offer a counter narrative. In March, as Hitler marches into Austria, Woolf finishes Three Guineas. Through her acute sensitivity, she captures the precise world state with a haunting diary image: Hitler and Stalin are “like drops of dirty water mixing” (D 5: 129). Her challenge from 1938 onwards becomes how to keep moving—how to escape being drawn into the mud. In August, as the world waits, suspended, as Hitler pauses at Czechoslovakia’s door, she takes heart from the newly found Diary of the Reverend Francis Kilvert, the Victorian vicar (and poet) from the river Wye. His diary's “gipsy beauty” lives again in the character Mrs. Manresa in Woolf's final novel Between the Acts—as do his amusing cows. Kilvert gives Woolf a lush natural human voice amid the welter of war.
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希特勒使水面变暗
罗森菲尔德指出,到1938年,希特勒“已经接管并主导了欧洲历史的叙述”。弗吉尼亚·伍尔夫的书——包括她的日记——提供了一种相反的叙述。3月,希特勒进军奥地利,伍尔夫完成了《三基尼》。通过她敏锐的敏感性,她用一幅令人难以忘怀的日记图像准确地捕捉到了世界的状态:希特勒和斯大林“就像两滴脏水混合在一起”(D: 129)。从1938年起,她面临的挑战就是如何继续前进——如何避免被拖入泥潭。8月,当整个世界都在等待,等待着希特勒在捷克斯洛伐克的门口停下来的时候,她从新发现的弗朗西斯·基尔弗特牧师的日记中得到了鼓舞,这位来自怀伊河的维多利亚时代的牧师(兼诗人)。在伍尔夫的最后一部小说《幕间戏》中,他日记中的“吉普赛之美”再次出现在曼瑞萨夫人这个人物身上——就像他笔下有趣的奶牛一样。基尔弗特在战争的喧嚣中赋予伍尔夫一种丰富自然的人声。
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Epilogue Misguided General Acknowledgments Hitler Darkens the Waters Back Matter
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