Project sigma

V. Morariu, Jaakko Karhunen
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Abstract

The following chapter will focus on sigma, a network of cultural practitioners that was active roughly between 1963-1965. This highly ambitious project involved a network of writers, artists, scientists and psychiatrists, including William Burroughs, Jeff Nuttall and R.D. Laing. Its successes were modest: the most tangible outcome of the project was the sigma portfolio, an expanding, self-published collection of texts (Trocchi, 1964), ‘part manifesto, part manual’ for art activism (Wark, 2011: 126). Its initiator and convener was Alexander Trocchi, the Scottish novelist, poet, situationist and drug addict. Our intention is to present a close reading of sigma essays to explore the unfolding of an art activist logic within the programmatic texts of the portfolio.
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项目σ
下一章将重点介绍sigma,这是一个大致活跃于1963年至1965年之间的文化从业者网络。这个雄心勃勃的项目涉及作家、艺术家、科学家和精神病学家,包括威廉·巴勒斯、杰夫·纳托尔和R.D.莱恩。它的成功是适度的:该项目最切实的成果是sigma作品集,一个扩展的,自行出版的文本集(Trocchi, 1964),“部分宣言,部分手册”的艺术行动(Wark, 2011: 126)。它的发起者和召集人是亚历山大·特罗基(Alexander Trocchi),苏格兰小说家、诗人、情境主义者和吸毒者。我们的目的是仔细阅读西格玛的文章,以探索在作品集的程序性文本中展开的艺术活动家逻辑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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