Karelian epic poem by F. N. Glinka as a historical Christian legend

Valeriya A. Galanova
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Abstract

The article discusses the peculiarities of Fyodor Nikolayevich Glinka's poetry, his work, and the distinctive features of his poems. The attention is focused primarily on the poems: «Karelia, or the Imprisonment of Marfa Johannovna Romanova» (1830), «The Maiden of Karelian Forests» (1826). The poem Karelia, or the Imprisonment of Marfa Johannovna Romanova» is about the events during the Time of Troubles. The prince's mother, Marfa Ioannovna Romanovna, is exiled to Karelia as a result of a conspiracy. A traveling monk helps her survive her exile. He introduces her to the mythology and life of Karelia, comforts her and tells her about the divine miracles that occur in the north. Eventually, Marfa Ioannovna finds the strength to survive her exile and returns to her homeland. The poem also attracted the attention of A. Pushkin who wrote a review of the poem in 1830. The characters of the poem The Maiden of Karelian Forests are contemporaries of the author. A young man arrives in Karelia. There he meets a girl and her father who is hiding from the law. The poem ends with the return of the girl and the main hero from Karelia. Fyodor Glinka's artistic images, in particular the image of Karelia, attracted other poets as well, namely Eugeny Barstynsky and Vladimir Benediktov. Eugeny Barstinsky wrote his poem «Eda» in 1826. This poem is about love between a Finnish girl and a visiting hussar. The poet Vladimir Benediktov wrote several poems devoted to Glinka himself and Karelia. They were published in 1856. These poems are: The Cliff, The Lake and To the Playmates. All these poets wrote about Karelia, but only Glinka wrote in his poems about Christianity and history. Whereas Yevgeny Baratynsky and Vladimir Benediktov depict the splendor and beauty of Karelia, Fyodor Glinka's characters are engaged in spiritual quests among the Karelian nature and eventually gain true inner freedom.
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卡累利阿史诗由F. N.格林卡作为一个历史基督教传奇
本文论述了费奥多尔·尼古拉耶维奇·格林卡诗歌的独特性、他的作品以及他诗歌的鲜明特征。注意力主要集中在诗歌上:《卡累利阿,或玛尔法·约翰诺夫娜·罗曼诺娃的监禁》(1830年),《卡累利阿森林的少女》(1826年)。这首诗《卡累利阿,或玛尔法·约翰诺芙娜·罗曼诺娃的监禁》是关于动乱时期的事件。王子的母亲Marfa Ioannovna Romanovna因为一场阴谋被流放到卡累利阿。一个旅行的和尚帮助她度过了流放。他向她介绍了卡累利阿的神话和生活,安慰她,并告诉她发生在北方的神圣奇迹。最终,Marfa Ioannovna找到了在流放中生存下来的力量,回到了她的祖国。这首诗也引起了普希金的注意,他在1830年为这首诗写了一篇评论。《卡累利阿森林的少女》这首诗中的人物与作者同时代。一个年轻人来到卡累利阿。在那里他遇到了一个女孩和她的父亲谁是逃避法律。这首诗以女孩和主人公从卡累利阿回来结束。费奥多尔·格林卡的艺术形象,尤其是卡累利阿的形象,也吸引了其他诗人,即尤金·巴尔斯蒂恩斯基和弗拉基米尔·本尼迪克托夫。尤金·巴斯廷斯基在1826年创作了他的诗《爱达》。这首诗是关于一个芬兰女孩和一个来访的轻骑兵之间的爱情。诗人弗拉基米尔·本尼迪克托夫(Vladimir Benediktov)为格林卡本人和卡累利阿写了几首诗。它们出版于1856年。这些诗是:悬崖,湖和玩伴。所有这些诗人都写过关于卡累利阿的诗,但只有格林卡在他的诗中写过关于基督教和历史的诗。叶夫根尼·巴拉廷斯基和弗拉基米尔·本尼迪克托夫描绘了卡累利阿的壮丽和美丽,而费奥多尔·格林卡的人物则在卡累利阿的自然中进行精神探索,最终获得真正的内心自由。
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