Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-1-28-55-63
M. Chekunova
The purpose of the study is to conduct a structural and semantic analysis of the new culture of media discourse in the context of contemporary political communication studies, which includes political rhetoric, symbolic communication, text and implied sense of messages. This article examines three types of political communication, developed under the influence of certain trends in forming the political environment, the need to substantiate changes in society and the transformation of a one-way dialogue between the authorities and the citizens of the country into an interactive process. The conclusion is that a new culture of media discourse between candidates and voters has been formed. A new type of cross-cutting communication "top-to-bottom and bottom-to-top" allows the citizens to actively participate in choosing the ways of social and political development through new media (websites, social networks, Internet fo-rums, government portals, and video content resources). Modern media play a vital role in political communication and open new ways to mobilize public opinion and motivate voters to participate in socioal and political activities. Eve-ry political party advertises itself in social networks, on websites or video streaming channels (YouTube, etc.) to appeal to the widest possible audience. The thoughtful use of Internet resources helps to form a positive reputational image of a politician, activate civil society, and at the same time increases the effectiveness of forecasting management process-es. The online component of the 2021 election campaign has become a major innovative element of the 21st century political communication model. The new culture of media discourse promotes a greater and more effective impact on society, youth, and the civic population in general.
{"title":"The new media-discourse culture and modern political communication studies","authors":"M. Chekunova","doi":"10.20323/2499-9679-2022-1-28-55-63","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-1-28-55-63","url":null,"abstract":"The purpose of the study is to conduct a structural and semantic analysis of the new culture of media discourse in the context of contemporary political communication studies, which includes political rhetoric, symbolic communication, text and implied sense of messages. This article examines three types of political communication, developed under the influence of certain trends in forming the political environment, the need to substantiate changes in society and the transformation of a one-way dialogue between the authorities and the citizens of the country into an interactive process. The conclusion is that a new culture of media discourse between candidates and voters has been formed. A new type of cross-cutting communication \"top-to-bottom and bottom-to-top\" allows the citizens to actively participate in choosing the ways of social and political development through new media (websites, social networks, Internet fo-rums, government portals, and video content resources). Modern media play a vital role in political communication and open new ways to mobilize public opinion and motivate voters to participate in socioal and political activities. Eve-ry political party advertises itself in social networks, on websites or video streaming channels (YouTube, etc.) to appeal to the widest possible audience. The thoughtful use of Internet resources helps to form a positive reputational image of a politician, activate civil society, and at the same time increases the effectiveness of forecasting management process-es. The online component of the 2021 election campaign has become a major innovative element of the 21st century political communication model. The new culture of media discourse promotes a greater and more effective impact on society, youth, and the civic population in general.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"288 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120975562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-2-29-133-142
E. Markasova
Nikolay Ivanovich Gretsch started teaching early. He compiled textbooks, educational and methodological manuals throughout his life that afterwards became objects of various reviews. This diversity is explained not only by the history of the Russian language teaching or by the shift in scientific paradigms in the history of Russian linguistics, but also by the influence of the dominant discourse on public attitude to the scholar. The rejection of N. I. Gretsch's grammars in teaching was connected with the evolution of comparative historical linguistics, with new trends in developmental psychology, and with changes in literary tastes in the 1850-60s. An equally significant reason was superficial reading of Gretsch's grammatical works. It was due to ideological reasons. Until the early 1850s, the attitude towards Greek textbooks was mainly influenced by teachers, grammarians, philologists. But after the curricula were replaced in 1856, the interest in Gretsch's works began to decline. Galakhov's critical publications and Dobrolyubov's poems played a significant role in this process. This article characterizes the attitude toward Gretsch's textbooks before and after the updating and changing the curricula in 1856, and highlights the role of democratic journalism in forming a negative attitude toward Gretsch as a linguist. It is not until the mid-1950s that the interest in the fields that Gretsch was studying, as well as in the linguist himself, was restored. The article provides a complete list of European grammars used by N. I. Gretsch, and comments on the scientist's philological environment.
{"title":"Nikolay Gretsch and the power of discourse","authors":"E. Markasova","doi":"10.20323/2499-9679-2022-2-29-133-142","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-2-29-133-142","url":null,"abstract":"Nikolay Ivanovich Gretsch started teaching early. He compiled textbooks, educational and methodological manuals throughout his life that afterwards became objects of various reviews. This diversity is explained not only by the history of the Russian language teaching or by the shift in scientific paradigms in the history of Russian linguistics, but also by the influence of the dominant discourse on public attitude to the scholar. The rejection of N. I. Gretsch's grammars in teaching was connected with the evolution of comparative historical linguistics, with new trends in developmental psychology, and with changes in literary tastes in the 1850-60s. An equally significant reason was superficial reading of Gretsch's grammatical works. It was due to ideological reasons. Until the early 1850s, the attitude towards Greek textbooks was mainly influenced by teachers, grammarians, philologists. But after the curricula were replaced in 1856, the interest in Gretsch's works began to decline. Galakhov's critical publications and Dobrolyubov's poems played a significant role in this process. This article characterizes the attitude toward Gretsch's textbooks before and after the updating and changing the curricula in 1856, and highlights the role of democratic journalism in forming a negative attitude toward Gretsch as a linguist. It is not until the mid-1950s that the interest in the fields that Gretsch was studying, as well as in the linguist himself, was restored. The article provides a complete list of European grammars used by N. I. Gretsch, and comments on the scientist's philological environment.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124855807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-1-20-80-85
Mikhail N. Kulakovsky
M. A. Aldanov, A. Bely, I. A. Bunin, E. I. Zamyatin, I. A. Ilf and E. P. Petrov, V. V. Nabokov, M. A. Osorgin, B. A. Pilnyak, M. I. Tsvetaeva) and texts of the contemporary Russian literature of the recent decades (works of E. G. Vodolazkin, B.Kenzheyev, A. A. Matveeva, I. F. Sakhnovsky, T. Solomatina, L. E. Ulitskaya). The article analyzes the basic trends of studying parenthetic constructions (in terms of gender linguistics, delinearisation of speech, link of parenthetic constructions to the main content of the utterance, chronotopos organization, peculiarities of their use in texts representing certain genres and literary movements). The article points out the most typical functions of parenthetic constructions with regard to clarifying information, addresses the question of their correlation with different text levels, and defines their role in the general structure of a literary text. It is noted that such constructions specify the concept presented in the scope of the main context by referring to its form or kind or emphasizing its most important notional component. The following functional types of parenthetic constructions can be distinguished in terms of way of clarification: constructions expressing direct explication, explication via component enumeration, explication by exemplification, explication via component exclusion, explication via informative extension, explication-accentuation via component repetition.
{"title":"CLARIFYING FUNCTIONS OF PARENTHETIC CONSTRUCTIONS IN LITERARY TEXT","authors":"Mikhail N. Kulakovsky","doi":"10.20323/2499-9679-2020-1-20-80-85","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-1-20-80-85","url":null,"abstract":"M. A. Aldanov, A. Bely, I. A. Bunin, E. I. Zamyatin, I. A. Ilf and E. P. Petrov, V. V. Nabokov, M. A. Osorgin, B. A. Pilnyak, M. I. Tsvetaeva) and texts of the contemporary Russian literature of the recent decades (works of E. G. Vodolazkin, B.Kenzheyev, A. A. Matveeva, I. F. Sakhnovsky, T. Solomatina, L. E. Ulitskaya). The article analyzes the basic trends of studying parenthetic constructions (in terms of gender linguistics, delinearisation of speech, link of parenthetic constructions to the main content of the utterance, chronotopos organization, peculiarities of their use in texts representing certain genres and literary movements). The article points out the most typical functions of parenthetic constructions with regard to clarifying information, addresses the question of their correlation with different text levels, and defines their role in the general structure of a literary text. It is noted that such constructions specify the concept presented in the scope of the main context by referring to its form or kind or emphasizing its most important notional component. The following functional types of parenthetic constructions can be distinguished in terms of way of clarification: constructions expressing direct explication, explication via component enumeration, explication by exemplification, explication via component exclusion, explication via informative extension, explication-accentuation via component repetition.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114939427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-2-29-151-158
Anetta V. Berngardt
Bilingualism as a multidimensional problem is studied in many sciences. Bilingual research in linguistics is primarily about studying the specifics of languages functioning in close contact. The terminological apparatus of this field is ex-tensive, but it has a number of imperfections. Despite the long history of bilingual studies, there is no clear definition of each term used here. This article analyzes the basic terms of bilingual studies, their definitions, and approaches to their use. Key terms in bilingual studies include bilingualism, interference, transference, code-switching, borrowing, and several others. The terms «interference» and « transference» raise the majority of questions, which is primarily due to the differences in Russian and foreign linguistic traditions. At the same time, the formation of a linguistic personality is influenced not only by the level of language proficiency, but also by the cultural and social environment. The terms «linguistic biography» and «semilingualism» were introduced to describe the totality of factors influencing the linguistic personality of a bilingual. The terms «code-switching» and «borrowing as a form of language interaction» are also problematic in contact lin-guistics, but many linguists refer to them as special cases of lexical interference. After analyzing bilingual terminology, the author concludes that mutual interaction of languages in speech contact is not static; therefore, it cannot be placed in the existing conventional frameworks and schemes. This is why terminol-ogy disputes are inevitable, and the basic terms of contact linguistics constitute a special study case.
{"title":"Problem fields of contact linguistics terms","authors":"Anetta V. Berngardt","doi":"10.20323/2499-9679-2022-2-29-151-158","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-2-29-151-158","url":null,"abstract":"Bilingualism as a multidimensional problem is studied in many sciences. Bilingual research in linguistics is primarily about studying the specifics of languages functioning in close contact. The terminological apparatus of this field is ex-tensive, but it has a number of imperfections. Despite the long history of bilingual studies, there is no clear definition of each term used here. This article analyzes the basic terms of bilingual studies, their definitions, and approaches to their use. Key terms in bilingual studies include bilingualism, interference, transference, code-switching, borrowing, and several others. The terms «interference» and « transference» raise the majority of questions, which is primarily due to the differences in Russian and foreign linguistic traditions. At the same time, the formation of a linguistic personality is influenced not only by the level of language proficiency, but also by the cultural and social environment. The terms «linguistic biography» and «semilingualism» were introduced to describe the totality of factors influencing the linguistic personality of a bilingual. The terms «code-switching» and «borrowing as a form of language interaction» are also problematic in contact lin-guistics, but many linguists refer to them as special cases of lexical interference. After analyzing bilingual terminology, the author concludes that mutual interaction of languages in speech contact is not static; therefore, it cannot be placed in the existing conventional frameworks and schemes. This is why terminol-ogy disputes are inevitable, and the basic terms of contact linguistics constitute a special study case.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114189798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-2-21-204-211
Hristina G. Kosogorova, Anastasiya V. Namestnikova
{"title":"LINGUISTIC IMPLEMENTATION OF THE CONCEPT OF ‘SMELL’ (ON THE BASIS OF THE FRENCH VERSION OF ‘PERFUME. THE STORY OF A MURDERER’ BY PATRICK SÜSKIND)","authors":"Hristina G. Kosogorova, Anastasiya V. Namestnikova","doi":"10.20323/2499-9679-2020-2-21-204-211","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-2-21-204-211","url":null,"abstract":"","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129507948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-2-29-143-150
Svetlana N. Vorobeva
In this article, the author analyses modern confession, which is one of the representative genres of sacred communica-tion. The special attention to confession as a speech genre is of undoubted scientific interest, because it is important in studying religious discourse, which determines the relevance of this issue, the novelty of the research work. The purpose of the study is to characterize the functional, structural and substantive features of the genre of modern confession. The materials for the analysis are the following samples for writing penitential texts offered by the Church: The Con-fession of the novice, the Confession compiled in the Optina Monastery, the Model confession for the churched, etc. The study shows that genre-forming factors of confession are the subject of representation – the committed sins and the target setting – repentance, renunciation of sin and spiritual recovery. The genre under consideration is part of the complex speech situation «intimate conversation» which uses monologue as a form of speech. The uniqueness of confession is determined by the presence of communicants, one of whom belongs to the spiritual world. Confession as a genre is characterized by such features as intimacy, voluntary revealing of one's inner sinful nature before God, spiritu-ality, self-judgment, sincerity, openness, humility, reverence, fear of God, etc.
{"title":"Modern confession as a speech genre","authors":"Svetlana N. Vorobeva","doi":"10.20323/2499-9679-2022-2-29-143-150","DOIUrl":"https://doi.org/10.20323/2499-9679-2022-2-29-143-150","url":null,"abstract":"In this article, the author analyses modern confession, which is one of the representative genres of sacred communica-tion. The special attention to confession as a speech genre is of undoubted scientific interest, because it is important in studying religious discourse, which determines the relevance of this issue, the novelty of the research work. The purpose of the study is to characterize the functional, structural and substantive features of the genre of modern confession. The materials for the analysis are the following samples for writing penitential texts offered by the Church: The Con-fession of the novice, the Confession compiled in the Optina Monastery, the Model confession for the churched, etc. The study shows that genre-forming factors of confession are the subject of representation – the committed sins and the target setting – repentance, renunciation of sin and spiritual recovery. The genre under consideration is part of the complex speech situation «intimate conversation» which uses monologue as a form of speech. The uniqueness of confession is determined by the presence of communicants, one of whom belongs to the spiritual world. Confession as a genre is characterized by such features as intimacy, voluntary revealing of one's inner sinful nature before God, spiritu-ality, self-judgment, sincerity, openness, humility, reverence, fear of God, etc.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129699283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2021-3-26-83-90
Natalia P. Galkina
The object of the analysis is complex sentences including two or more subordinate clauses with the meaning of condition, cause, purpose, concession, which in general constitute the category of conditionality. Multicomponent sentences expressing the close interconnection of these relations represent a microtext, making it possible to study various textual characteristics. The analysis is based on the multicomponent complex sentences built according to models of sequential subordination and parallel models, and is devoted to their textual characteristics. The latter include both universal text categories inherent in any text, and optional, inherent only in certain types of text. It is shown how the main text categories such as cohesion, processuality, integrity, continuum are realized within the microtext-sentence. The interrelation of the structure of multicomponent complex sentences, their content and the communicative task of the statement is emphasized. On the example of contaminated structures with various types of connection (compositional, subordinate, asyndetic), it is shown that the combination of multiple methods and techniques constitutes tectonic means of text formation. It is confirmed that in the structural-semantic context, the main nominative and communicative units of the language system, a word and a sentence, acquire meaning increments and turn into “text words” and “text sentences”. It is concluded that multicomponent complex sentences with subordinate clauses are microtext with more or less integral meaning. The combination of various types of syntactic link, various types of inclusions, repetition, parallelism, providing a clear structural form of complex constructions, on the one hand, are means of dispersing meanings, and on the other hand, they unite separate structural and semantic components of the statement into a single whole, creating the basis of text-forming relations.
{"title":"Textual characteristics of multicomponent structures built according to sequential subordination and parallel models","authors":"Natalia P. Galkina","doi":"10.20323/2499-9679-2021-3-26-83-90","DOIUrl":"https://doi.org/10.20323/2499-9679-2021-3-26-83-90","url":null,"abstract":"The object of the analysis is complex sentences including two or more subordinate clauses with the meaning of condition, cause, purpose, concession, which in general constitute the category of conditionality. Multicomponent sentences expressing the close interconnection of these relations represent a microtext, making it possible to study various textual characteristics. The analysis is based on the multicomponent complex sentences built according to models of sequential subordination and parallel models, and is devoted to their textual characteristics. The latter include both universal text categories inherent in any text, and optional, inherent only in certain types of text. It is shown how the main text categories such as cohesion, processuality, integrity, continuum are realized within the microtext-sentence. The interrelation of the structure of multicomponent complex sentences, their content and the communicative task of the statement is emphasized. On the example of contaminated structures with various types of connection (compositional, subordinate, asyndetic), it is shown that the combination of multiple methods and techniques constitutes tectonic means of text formation. It is confirmed that in the structural-semantic context, the main nominative and communicative units of the language system, a word and a sentence, acquire meaning increments and turn into “text words” and “text sentences”. It is concluded that multicomponent complex sentences with subordinate clauses are microtext with more or less integral meaning. The combination of various types of syntactic link, various types of inclusions, repetition, parallelism, providing a clear structural form of complex constructions, on the one hand, are means of dispersing meanings, and on the other hand, they unite separate structural and semantic components of the statement into a single whole, creating the basis of text-forming relations.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129439010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2020-3-22-67-74
M. Egorov
The novel «Good night» was published in Paris in 1984.The author of the novel is a writer-immigrant A. D. Sinyavsky who took a pseudonym Abram Terz. The key conflict of the novel is the fight for interpretation. The opponents of the protagonist aiways insist on unambiguous answers but he himself prefers polysemy. The refusal from simplicity is viewed in many aspects of the novel «Good night»: (good wish but the connotation of fear, horror); intertexual character of the titles in the chapters («Shifters» – the title of the article in which the activity of A. D. Sinyavsky was judged; «Dangerous ties» – the novel by Sh. De Laklo; «In the belly of the whale» – the story of prophet Jonan); stylistic discord (from taboo language to archaic); characters (many names of the wife in one of the abstracts, reincarnation of a father in a different person, edge erasure between fantasy and reality (a confession of a father about a device in his brains); avoiding of linear plot development; three independent having their own titles parts («Mirror», «Glasses», «Treatise about mice and about our incomprehensible fear of mice»). The most important tool in the fight for breaking unambiguous understanding of a reality in the novel is metanarrative. The crossing of «Literature» and «Reality» is seen in the initial plot situation-condemnation of a hero for publishing his works abroad. Real events in the novel are compared with these or those aspects of literature. The character himself can be less important than his name, the number of letters. One of the main motifs of the novel is the motif man-word. In «Good night» there are fragments which do not have any connections to plot division but they are devoted to the ideas of writing a book. The narrator takes a leading role in maintaining a sense polysemy.
{"title":"POLYSEMY OF THE SENSE IN A. TERZ (A. D. SINYAVSKY) «GOOD NIGHT»","authors":"M. Egorov","doi":"10.20323/2499-9679-2020-3-22-67-74","DOIUrl":"https://doi.org/10.20323/2499-9679-2020-3-22-67-74","url":null,"abstract":"The novel «Good night» was published in Paris in 1984.The author of the novel is a writer-immigrant A. D. Sinyavsky who took a pseudonym Abram Terz. The key conflict of the novel is the fight for interpretation. The opponents of the protagonist aiways insist on unambiguous answers but he himself prefers polysemy. The refusal from simplicity is viewed in many aspects of the novel «Good night»: (good wish but the connotation of fear, horror); intertexual character of the titles in the chapters («Shifters» – the title of the article in which the activity of A. D. Sinyavsky was judged; «Dangerous ties» – the novel by Sh. De Laklo; «In the belly of the whale» – the story of prophet Jonan); stylistic discord (from taboo language to archaic); characters (many names of the wife in one of the abstracts, reincarnation of a father in a different person, edge erasure between fantasy and reality (a confession of a father about a device in his brains); avoiding of linear plot development; three independent having their own titles parts («Mirror», «Glasses», «Treatise about mice and about our incomprehensible fear of mice»). The most important tool in the fight for breaking unambiguous understanding of a reality in the novel is metanarrative. The crossing of «Literature» and «Reality» is seen in the initial plot situation-condemnation of a hero for publishing his works abroad. Real events in the novel are compared with these or those aspects of literature. The character himself can be less important than his name, the number of letters. One of the main motifs of the novel is the motif man-word. In «Good night» there are fragments which do not have any connections to plot division but they are devoted to the ideas of writing a book. The narrator takes a leading role in maintaining a sense polysemy.","PeriodicalId":282574,"journal":{"name":"Verhnevolzhski Philological Bulletin","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130374889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2022-1-28-169-175
Yuliya V. Plotskaya
Currently, a large number of scientific works are devoted to the problem of researching terminologies in various fields. Medicine is one of the most rapidly developing industries, in turn the terminology, that serves it, is also developing. The appearance of new means and methods of treatment, apparatuses and instruments, technological processes and equipment entails the need for their nomination. This work is devoted to the problem of synonymy in German dental discourse. The relevance of the topic is due to the presence of unresolved debatable issues concerning the legality of using synonymous terms in terminology in general and medical terminology in particular. The purpose of the article is to identify and analyze in detail the sources of the emergence of synonymous terms that function in the studied terminology. The paper considers various points of view on the existence of the synonymy phenomenon in terminology, analyzes synonymic terms, investigates in detail the sources of synonymy and factors influencing its formation in German dental terminology. The article presents the classification of the sources for synonymous terms, created on the basis of those proposed earlier, and adapted to German dental terminology. Descriptive and statistical methods were used in the study. As a result of a thorough analysis of the factual material, the author was able to reveal that the phenomenon of terminological synonymy is quite widespread in the studied terminology, and also to establish that 42 % of the term units of the studied sample have synonymous series. Concluding this work, the author suggests that the use of synonyms in professional communication of a dentist expands and deepens their professional linguistic picture of the world.
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Pub Date : 1900-01-01DOI: 10.20323/2499-9679-2021-2-25-19-30
E. Kuznetsova
The fate and personality of Alexander Dobrolyubov gave rise to a kind of Dobrolyubov myth about the eternal wanderer in the culture of the Russian Silver Age and in many ways unfairly obscured his literary work. The article traces the influence of Francis of Assisi on Dobrolyubov's own life-creating strategy and his contemporaries' perception of him as a «Russian Francis. The author considers the peculiarities of artistic interpretation of the whole complex of motifs associated with the fate and personality of the Italian saint in the last collection of Dobrolyubov's works, From the Book Invisible (1905). The author analyzes the image of the pilgrim, glorification (preaching) of the poor, hermit’s life and the unity of man and wildlife, plants and the elements of nature in the context of teachings of St. Francis and the Russian franciscanism of the modernist era; the features of their modernist reception are traced in Dobrolyubov’s works written after his «departure». On the other hand, the author reveals evidence that the poet implements the individual author's interpretation of the characteristic Russian cultural and historical phenomenon of pilgrimage (real, metaphysical and spiritual), which was reflected, for example, in N. S. Leskov’s works, and philosophically interpreted in science and criticism of the early 20th century (V. Rozanov, N. Berdyaev, etc.). The author suggests that the poet was influenced by an anonymous work of Russian religious literature «A Pilgrim's Confessional Stories to his Spiritual Father». As a result, the author concludes that the poet creates a modern variation of the Franciscan image of the «simple man» and the divine man, possessing the gift of communication with nature, who combines the features of an Italian ascetic preacher with the type of a Russian pilgrim-god-seeker.
亚历山大·多布罗留波夫的命运和个性在俄罗斯白银时代的文化中产生了一种关于永恒流浪者的多布罗留波夫神话，在很多方面不公平地掩盖了他的文学作品。这篇文章追溯了阿西西的方济各对多布罗柳博夫自己的人生创造策略的影响，以及同时代人对他作为“俄罗斯方济各”的看法。作者在多布罗柳波夫的最后一部作品集《看不见的书》(1905)中考虑了与意大利圣人的命运和个性相关的整个复杂主题的艺术解释的特殊性。作者从圣方济各的教义和现代主义俄国方济会的背景下，分析了朝圣者的形象、对穷人的赞美(布道)、隐士的生活以及人与野生动物、植物和自然元素的统一;在多布罗柳博夫“离开”后写的作品中，他们的现代主义接受的特征得到了追踪。另一方面，作者揭示的证据表明，诗人实现了个人作者对朝圣(真实的，形而上学的和精神的)的俄罗斯文化和历史现象的解释，这反映在列斯科夫的作品中，并在20世纪初的科学和批评中进行了哲学解释(V. Rozanov, N. Berdyaev等)。作者认为，这位诗人受到了俄罗斯宗教文学作品《一个朝圣者对他的精神父亲的忏悔故事》的影响。因此，作者得出结论，诗人创造了方济各会形象的现代变体，即“简单的人”和神圣的人，拥有与自然交流的天赋，他将意大利苦行传教士的特征与俄罗斯朝圣者-上帝寻求者的类型相结合。
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