Man in the Square: una parodia del individuo moderno

Gül Yaşartürk, Rana İğneci Süzen
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Abstract

The Square (2017) is a film by Ruben Ostlund in which he ironically criticizes the state of the individual in modern society. Ruben Ostlund developed the film under the influence of the Enlightenment philosophy, therefore showing a special focus on reason. Using some concepts by Jean Baudrillard, Arthur Danto and Donald Kuspits In, our study of this film will highlight that contemporary art has lost its meaning, becoming a product and a consumption object. In addition, we will analyze the relationship between the Enlightenment, the individual and his current forms, taking as point of reference concepts explained by Max Horkheimer and Pankaj Mishra.
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广场上的男人:对现代个人的拙劣模仿
《广场》(2017)是鲁本·奥斯特伦德的一部电影,他在电影中讽刺地批评了现代社会中的个人状态。鲁本·奥斯特伦德在启蒙哲学的影响下发展了电影,因此对理性表现出了特别的关注。通过让·鲍德里亚、阿瑟·丹托和唐纳德·库斯皮茨·恩的一些概念,我们对这部电影的研究将突出当代艺术已经失去了意义,成为一种产品和一种消费对象。此外,我们将以马克斯·霍克海默(Max Horkheimer)和潘卡吉·米什拉(Pankaj Mishra)解释的概念为参照点,分析启蒙运动、个人及其当前形式之间的关系。
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