“All of the Bees in a Hive Are Having Imagination”: An Interview with Brenda Hillman

Julia Fiedorczuk
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引用次数: 1

Abstract

Brenda Hillman has published chapbooks with Penumbra Press, a+bend press, and EmPress; she is the author of nine full-length collections from Wesleyan University Press, the most recent of which are Practical Water (2009), winner of the Los Angeles Times Book Award, and Seasonal Works with Letters on Fire (2013), which received the International Griffin Poetry Prize for 2014. With Patricia Dienstfrey, she edited The Grand Permission: New Writings on Poetics and Motherhood (Wesleyan, 2003), and has co-translated Poems from Above the Hill by Ashur Etwebi and Instances by Jeongrye Choi. Hillman teaches at St. Mary’s College where she is the Olivia C. Filippi Professor of Poetry; she is an activist for social and environmental justice. Hillman’s poems that draw on elements of found texts and document, personal meditation, observation, and literary theory. Often described as “sensuous” and “luminescent,” her work investigates and pushes at the possibilities of form and voice, while remaining grounded in topics such as geology, the environment, politics, family, and spirituality.
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“蜂巢里所有的蜜蜂都有想象力”:对布兰达·希尔曼的采访
布伦达·希尔曼(Brenda Hillman)与半影出版社(Penumbra Press)、a+bend出版社和皇后出版社(EmPress;她是卫斯理大学出版社出版的九本全集的作者,最近的一本是《实用的水》(2009年),获得了洛杉矶时报图书奖,以及2013年获得了2014年国际格里芬诗歌奖的《着火的字母的季节性作品》(2013年)。她与Patricia Dienstfrey合著了《伟大的许可:关于诗学和母性的新著作》(Wesleyan出版社,2003年),并共同翻译了Ashur Etwebi的《在山上的诗》和郑丽的《实例》。希尔曼在圣玛丽学院任教,她是奥利维亚·c·菲利皮诗歌教授;她是社会和环境正义的积极分子。希尔曼的诗歌,利用发现的文本和文件,个人冥想,观察和文学理论的元素。她的作品通常被描述为“感性的”和“发光的”,她的作品探索并推动了形式和声音的可能性,同时仍以地质、环境、政治、家庭和灵性等主题为基础。
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