Legibility analysis of self-designed typeface with eye-tracking device

Patricija Rauh, G. Franken, K. Možina
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Abstract

Typography appears in every aspect of our lives. It is closely intertwined with the representation of information, communication, and our cultural and national identity. Until the invention of computer in printing, only a few typefaces were in use. Then, almost overnight, a flood of new typefaces appeared in different type styles or in their combinations. Nowadays, a vast number of tools is available for designing typefaces, enabling almost anyone to do it. Nevertheless, not every typeface is well designed and useful, i.e. legible. A successful type design requires following the established aesthetic and technical principles. Moreover, it should follow perceptual principles. This study was concerned with evaluating the legibility of various useful typefaces in comparison to a self-designed typeface. The self-designed typeface was not based only on the principles of good legibility. Its design was based also on the paintings by the Slovenian Art Nouveau and later Impressionist painter Matija Jama, whose 150th birthday is celebrated this year. The Impressionist painter’s typeface should not only have the qualities of artistic style, but also be usable, i.e. legible, for a longer text. To determine which type size is optimal for such a text, the test of legibility was conducted. The legibility of the self-designed typeface was analysed along with three other well-known and useful typefaces, i.e., an old style typeface (Minion), a transitional typeface (Bentham) and a sans serif typeface (Gill Sans). The reading speed and number of fixations were analysed using a Tobii 120X eyetracking device. Different texts in all four typefaces in three different type sizes (i.e. 16, 21 and 26 px) were displayed on a 24-inch LCD display. The twenty tested individuals were aged between 19 and 23 years. The results showed that the choice of a particular type size affected the reading speed and legibility. It was also found that for some typefaces, different type sizes, when read, require more fixations. The results of our study show that a self-designed typeface is useful, i.e. legible, at larger type sizes. An appropriate type style and size can improve legibility on displays.
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用眼动仪分析自行设计字体的易读性
排版出现在我们生活的方方面面。它与信息、交流以及我们的文化和民族认同的表现密切相关。在印刷业发明计算机之前,只有少数几种字体在使用。然后,几乎一夜之间,以不同的字体风格或它们的组合出现了大量的新字体。如今,有大量的工具可用于设计字体,几乎任何人都可以做。然而,并不是每一种字体都设计得很好,很有用,也就是说易读。一个成功的字体设计需要遵循既定的美学和技术原则。此外,它应该遵循感性原则。本研究的目的是评估各种有用字体的易读性,并与自行设计的字体进行比较。自行设计的字体不仅基于良好的易读性原则。它的设计也基于斯洛文尼亚新艺术运动和后来的印象派画家Matija Jama的画作,今年是他的150岁生日。印象派画家的字体不仅要具有艺术风格的品质,而且要可用,即易读,用于较长的文本。为了确定哪种字体大小最适合这样的文本,进行了易读性测试。该自行设计的字体的易读性与其他三种知名且有用的字体一起进行了分析,即旧式字体(Minion),过渡字体(Bentham)和无衬线字体(Gill sans)。使用Tobii 120X眼动仪分析阅读速度和注视次数。在24英寸的液晶显示屏上显示了四种字体、三种不同字体尺寸(即16、21和26像素)的不同文本。接受测试的20人年龄在19至23岁之间。结果表明,特定字体大小的选择影响阅读速度和易读性。研究还发现,对于某些字体,不同的字体大小,在阅读时需要更多的注视。我们的研究结果表明,自行设计的字体在较大的字体尺寸下是有用的,即易读。适当的字体样式和大小可以提高显示器的易读性。
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