8. Tolstoy cannot be silent

Liza B. Knapp
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Abstract

For his last thirty years, from Confession to ‘I Cannot Be Silent’, Tolstoy often spoke out in the first person, dispensing with the veil of fiction. These late works were widely disseminated. In ‘I Cannot Be Silent’, Tolstoy spoke out with the intention of inspiring and provoking everyone, from the tsar to readers around the globe. This felt more urgent to him as he approached death. ‘Tolstoy cannot be silent’ considers how in ‘I Cannot Be Silent’, Tolstoy shows—in a highly concentrated form—the devices, techniques, and subject matter that give his fiction its power. Tolstoy returned to the questions about love, death, brotherhood, and the pain of others that he had posed from the start.
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8. 托尔斯泰不能保持沉默
在他生命的最后三十年里,从《忏悔录》到《我不能沉默》,托尔斯泰经常用第一人称说话,摒弃了小说的面纱。这些后期作品广为传播。在《我不能沉默》一书中,托尔斯泰直言不讳地表达了他想要激励和激惹每一个人的意图,从沙皇到全世界的读者。在他接近死亡的时候,这对他来说更加紧迫。《托尔斯泰不能沉默》考虑了托尔斯泰如何在《我不能沉默》中——以高度集中的形式——展示了赋予其小说力量的手法、技巧和主题。托尔斯泰回到了他从一开始就提出的关于爱、死亡、兄弟情谊和他人痛苦的问题上。
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1. From Ant Brothers to loving all as brothers and sisters 8. Tolstoy cannot be silent 2. Tolstoy on war and on peace 6. What then must we do? 5. What Tolstoy believed
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