Fashioning Dakar’s Urban Society: Sartorial Code-Mixing in Senegal

Kristin Kastner
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引用次数: 1

Abstract

Abstract Fashion constitutes a vital part of material culture and is an expression of sociocultural and aesthetical practices in Senegal. Manifold features have shaped sartorial styles for centuries, with sartorial mastery interweaving local techniques and global trends up to today. Tied to a long history of bodily adornment and of the importance of textiles, fashionable clothing plays a crucial role in indicating status and various forms of belonging. The widely used concepts of sañse and métissage refer to the centrality of fashion in everyday life and to the cultural tendency to integrate and combine various ideas, materials and styles. In this paper, I suggest that fashion in urban contexts not only serves as a means of and for social distinction but also works as a social adhesive when analysing fashion through the prism of métissage. Hence, ‘sartorial code-mixing’ has become a decisive feature of urban fashion and, like language and music, has a role in the formation of an open-minded and steadily growing urban society beyond polarizing tendencies.
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塑造达喀尔的城市社会:塞内加尔的服装编码混合
时尚构成了物质文化的重要组成部分,是塞内加尔社会文化和审美实践的表达。几个世纪以来,各种各样的特征塑造了服装风格,直到今天,对服装的掌握交织着当地技术和全球趋势。与人体装饰的悠久历史和纺织品的重要性联系在一起,时尚服装在表明地位和各种形式的归属方面起着至关重要的作用。sañse和msamtisage这两个被广泛使用的概念,指的是时尚在日常生活中的中心地位,以及将各种想法、材料和风格融合在一起的文化倾向。在本文中,我认为,在城市背景下,时尚不仅是一种社会区分的手段,而且在分析时尚时,它还可以作为一种社会粘合剂。因此,“服装代码混合”已经成为城市时尚的决定性特征,就像语言和音乐一样,在形成一个开放的、稳步增长的城市社会中发挥了作用,超越了两极分化的趋势。
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