EVALUATION OF KORAN WITH INVENTORY NUMBER “12” IN KONYA MEVLANA MUSEUM IN TERMS OF ILLUMINATION

Sennur Atalay Varol
{"title":"EVALUATION OF KORAN WITH INVENTORY NUMBER “12” IN KONYA MEVLANA MUSEUM IN TERMS OF ILLUMINATION","authors":"Sennur Atalay Varol","doi":"10.7816/KALEMISI-04-08-03","DOIUrl":null,"url":null,"abstract":"One of the most important elements in the transfer of values of civilizations throughout the history to future generations is arts. Our Traditional Arts, as part of our cultural values, have reached the present day with the reflection on art. The unique art of a nation, constitutes the cultural level of people and symbols of social life. Decorative arts were born and developed in this sense until today. The art of illumination, as a part of decorative arts, shows developments and changes in the process through the centuries. The subject of the present study is the illuminated pages and binders of the Koran with the date 1314 -15 and inventory number “12” in Konya Mevlana Museum. According to the information given on the colophon page of the Koran, it was written by Katip İsmail b. Yusuf in Konya for Halil b. Mahmud from Karamanlı Beyler in the date of H.724 / M.1314-15 and illuminated by Yakup b. Gazi el-Konevî. Both the calligraphy and the illumination of the Koran are important in terms of enlightening the course of history of illumination and reflecting the features of that period. As of it was written, it has been a work of the Beyliks and shown similar styles with the understanding of retro arts of the period, which belongs to the post Seljuk period. The work was examined in terms of motifs, patterns and stylistic features and some information was given about stylistic features that were effective in its design. Ornamentation of the work was evaluated with the support of visual materials and drawings.","PeriodicalId":265860,"journal":{"name":"Kalemisi Dergisi","volume":"51 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kalemisi Dergisi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7816/KALEMISI-04-08-03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

One of the most important elements in the transfer of values of civilizations throughout the history to future generations is arts. Our Traditional Arts, as part of our cultural values, have reached the present day with the reflection on art. The unique art of a nation, constitutes the cultural level of people and symbols of social life. Decorative arts were born and developed in this sense until today. The art of illumination, as a part of decorative arts, shows developments and changes in the process through the centuries. The subject of the present study is the illuminated pages and binders of the Koran with the date 1314 -15 and inventory number “12” in Konya Mevlana Museum. According to the information given on the colophon page of the Koran, it was written by Katip İsmail b. Yusuf in Konya for Halil b. Mahmud from Karamanlı Beyler in the date of H.724 / M.1314-15 and illuminated by Yakup b. Gazi el-Konevî. Both the calligraphy and the illumination of the Koran are important in terms of enlightening the course of history of illumination and reflecting the features of that period. As of it was written, it has been a work of the Beyliks and shown similar styles with the understanding of retro arts of the period, which belongs to the post Seljuk period. The work was examined in terms of motifs, patterns and stylistic features and some information was given about stylistic features that were effective in its design. Ornamentation of the work was evaluated with the support of visual materials and drawings.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
科尼亚梅乌拉那博物馆中库存编号为“12”的古兰经的照明评价
纵观历史,将文明的价值传递给后代的最重要因素之一是艺术。我们的传统艺术,作为我们文化价值的一部分,在对艺术的反思中走到了今天。一个民族独特的艺术,构成了人们的文化水平和社会生活的象征。装饰艺术就是在这种意义上诞生和发展至今的。作为装饰艺术的一部分,照明艺术展示了几个世纪以来这一过程的发展和变化。本研究的主题是Konya Mevlana博物馆中日期为1314 -15年和库存编号为“12”的古兰经的彩绘页和活页夹。根据《古兰经》附页上提供的资料,它是由Katip İsmail b. Yusuf在科尼亚为来自karamanlylbeyler的Halil b. Mahmud在H.724 / M.1314-15年所写,并由Yakup b. Gazi el-Konevî作插图。《古兰经》的书法和插图对于启蒙启蒙历史的进程和反映那个时期的特征都很重要。据记载,该作品是贝利克人的作品,对后塞尔柱时代的复古艺术的理解也显示出类似的风格。从主题、图案和风格特征方面对作品进行了审查,并提供了一些关于在其设计中有效的风格特征的信息。在视觉材料和图纸的支持下,对作品的装饰进行了评估。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
SELJUKIAN TILE AND CERAMICS WITH THE INTERPRETATION OF SITKI OLCAR CENGIZ AYTMATOV IN THE WORKS OF KYRGYZ NATIONAL PAINTERS ANIMAL PATTERNS USED ON THE TURKISH TILE AND CERAMICS AND THEIR REFLECTION ON CLOTHING DESIGN SILLE POTTERY TRADITION AND TODAY CLOTHING DESIGNS INSPIRED BY THE ROBE OF SULTAN OSMAN
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1