Products of Counterfactual Imagination:The Healing Life of Literature

A. Bulz
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Abstract

My papers investigates two of the latter volumes by Romanian author Monica Pillat, Invitație la vis (An Invitation to Dream, 2014), and Croitorul de cărți (The Book Tailor, 2019), in which the literary experience elevates and transcends life itself, as a form of rewriting/healing the past and, maybe, of projecting one’s dreams into the future. It relies on criticism of two stories from the respective volumes, which investigates the sites of memory, such as the family mansion, which is the central piece around which the fantasy world woven by the author gravitates. Since Monica Pillat descends from a whole line of literary masters, her gift for writing is in fact a form of recuperating and also compensating for the family past, in which especially her father (Dinu Pillat) was very much afflicted by political persecution during Communist times. In my paper, I will dwell upon the less factual connection between life and literature – that of a mutual mirroring and influencing – in the attempt to prove that the experience of writing can make up for the losses encountered in reality. In this sense, being a literary author may offer one the chance of re-inventing one’s self (or imaginatively amending the life of your loved ones) and – for Monica Pillat – it certainly offers the greatest reward of all: a continual dwelling inside the family lineage, in the company of the kindred spirits that have guided and protected her since she was born.
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反事实想象的产物:文学的治愈生活
我的论文研究了罗马尼亚作家莫妮卡·皮拉特(Monica Pillat)的后两卷,Invitație la vis(《梦的邀请》,2014年)和Croitorul de cărți(《裁缝》,2019年),其中文学体验提升并超越了生活本身,作为一种重写/治愈过去的形式,也许是将一个人的梦想投射到未来。它依赖于对各自卷中的两个故事的评论,这些故事调查了记忆的地点,比如家族豪宅,这是作者编织的幻想世界的中心部分。由于莫妮卡·皮拉特是文学大师的后代,她的写作天赋实际上是一种恢复和补偿家庭过去的形式,尤其是她的父亲(迪努·皮拉特饰)在共产主义时期受到政治迫害的折磨。在我的论文中,我将详述生活和文学之间不那么真实的联系——一种相互镜像和影响——试图证明写作经验可以弥补现实中遇到的损失。从这个意义上说,成为一名文学作家可能会给一个人提供重塑自我的机会(或者富有想象力地修改你所爱的人的生活),而且——对莫妮卡·皮拉来说——它当然提供了最大的回报:持续地居住在家族血统中,在自她出生以来一直指导和保护她的志趣相随的人的陪伴下。
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