{"title":"Warmth through the night","authors":"Jonathan Elliott","doi":"10.1145/1665137.1665146","DOIUrl":null,"url":null,"abstract":"I investigate and utilize the imagery and symbolism of technological ideology and mythology, and how these images and symbols reinforce a sense of dominance over the environment and the rest of humanity. In recent work, I have forced together elements of this imagery with images of their unacceptable consequences. These are skeptical paintings, depicting mounds of old and obsolete computers and televisions rupturing the crisp, wire-frame façade of virtualesque scenes. Computers and televisions (these amalgams of plastic, heavy metals, and other toxic wastes, these transmitters of fantasy, ideology, identity, and creators of virtual worlds) are depicted as accumulating waste in the process of becoming toxic nightmares. Seen in the act of transmission, their screens flicker on and off to display scenes of pride and shame, glory and disgust, myth tainted with visions of what we wish to ignore or conceal about ourselves and our history.","PeriodicalId":180587,"journal":{"name":"ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2009-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/1665137.1665146","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

I investigate and utilize the imagery and symbolism of technological ideology and mythology, and how these images and symbols reinforce a sense of dominance over the environment and the rest of humanity. In recent work, I have forced together elements of this imagery with images of their unacceptable consequences. These are skeptical paintings, depicting mounds of old and obsolete computers and televisions rupturing the crisp, wire-frame façade of virtualesque scenes. Computers and televisions (these amalgams of plastic, heavy metals, and other toxic wastes, these transmitters of fantasy, ideology, identity, and creators of virtual worlds) are depicted as accumulating waste in the process of becoming toxic nightmares. Seen in the act of transmission, their screens flicker on and off to display scenes of pride and shame, glory and disgust, myth tainted with visions of what we wish to ignore or conceal about ourselves and our history.
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温暖的夜晚
我调查和利用技术意识形态和神话的图像和象征,以及这些图像和象征如何加强对环境和人类其余部分的支配感。在最近的作品中,我将这种意象的元素与它们不可接受的后果的图像强行结合在一起。这些都是持怀疑态度的画作,描绘了成堆的旧电脑和过时的电视,打破了虚拟场景中清晰的线框画面。电脑和电视(这些塑料、重金属和其他有毒废物的混合物,这些幻想、意识形态、身份的传播者和虚拟世界的创造者)被描绘成在成为有毒噩梦的过程中积累废物。在传播的过程中,他们的屏幕忽明忽暗地闪烁着,展示着骄傲与羞耻、荣耀与厌恶的场景,被我们希望忽视或隐瞒的关于我们自己和我们的历史的幻想所玷污的神话。
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