WHY ARE YOU TORMENTING ME WITH MEMORIES AGAIN?..: TRANSLATION OF P. VERLAINE’S POEM NEVERMORE IN THE CONTEXT OF F. SOLOGUB’S CREATIVE SEARCH

Tatiana V. Misnikevich
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Abstract

The article examines the specifics of F. Sologub’s work on his translations of the poems by P. Verlaine in the 1890s, as well as the influence of his translation practices on his original work. Using the translation of the poem Nevermore (collection Poèmes Saturniens) taken for the case study, it is shown how Sologub, while staying more or less true to the rhythm, phonics, vocabulary and imagery of the original, introduces certain changes in line with his aesthetic preferences.
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你为什么又用回忆来折磨我?:在索洛格的创作探索背景下翻译魏尔伦的诗《永不再来》
本文考察了索洛古在19世纪90年代翻译魏尔伦诗歌的具体工作,以及他的翻译实践对他的原著的影响。通过对诗歌《永不再来》(诗集)的翻译进行案例研究,可以看到索洛古布是如何在或多或少地保持原文的节奏、语音、词汇和意象的同时,根据自己的审美偏好进行了某些改变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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D. V. VENEVITINOV’S SONNET «TO THEE, OH PURE SPIRIT, THE SOURCE OF INSPIRATION…»: DATING, POETICS, SCHELLINGIAN PLOT MEMORY AND TEXT: N. N. BERBEROVA ON A. A. BLOK SOME THOUGHTS ON THE NOSE BY N. V. GOGOL AT THE GATES OF THE RUSSIAN HANDWRITTEN TRADITION OF MODERN TIMES THAT LEAVES ROGOZHIN?
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