The “Silent Experience”: A New Approach to Prosody

C. Mitchell, M. Koning, Rebecca Guy
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引用次数: 1

Abstract

Oral communication is a physical activity. In second language acquisition, a greater awareness of, and work upon, the body in relation to language production is important for raising confidence and thus improving performance. This applies to the learner but also to the teacher, who serves as language model and motivator. Our approach, transmitted principally in teacher training workshops and training videos, develops awareness of the role of the body and the workings of the voice, through movement and vocal activities. One important aspect of our work is “The Silent Experience”, which involves work on posture, breathing and the articulators without sound, to allow focus upon the sensations within the body, the awareness of what is happening. It is an active silence, helping the mind and body to become (re)connected in language terms. This work is followed by playing with sound, for example via nonsense language, to once again emphasize form and feeling over meaning. We show teachers both how to increase their own confidence in their physical relationship with the language, and how to employ such exercises in work with learners.
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“无声的体验”:一种新的韵律研究方法
口语交际是一种身体活动。在第二语言习得过程中,更多地了解和使用与语言产生有关的身体,对于增强自信从而提高表现是很重要的。这不仅适用于学习者,也适用于作为语言模范和激励者的教师。我们的方法主要在教师培训研讨会和培训视频中传播,通过动作和发声活动培养对身体角色和声音运作的认识。我们工作的一个重要方面是“无声的体验”,它涉及姿势,呼吸和无声的发音,让我们专注于身体内部的感觉,意识到正在发生的事情。这是一种积极的沉默,帮助心灵和身体在语言术语中变得(重新)连接。这个作品之后是声音的游戏,例如通过无意义的语言,再次强调形式和感觉而不是意义。我们向教师展示了如何提高他们对自己与语言的身体关系的信心,以及如何在与学习者的工作中使用这些练习。
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