‘A form that accommodates the mess’: Degeneration and / as Disability in Beckett’s Happy Days

Seán Kennedy, J. Valente
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Abstract

The essay begins with Max Nordau’s theory of degeneration, which intact form signals cultural health and broken form cultural deterioration, to show how Samuel Beckett de-pathologized the indices of degeneracy by finding a form to “normalize” the messy feelings of non-normative experience. Beckett uses disability as aesthetic principle by formalising affect, thereby universalizing divergence from ideals of embodiment.
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“一种容纳混乱的形式”:贝克特《快乐时光》中的退化和/作为残疾
本文从马克斯·诺道的退化理论(完整的形式标志着文化健康,破碎的形式标志着文化退化)开始,展示塞缪尔·贝克特如何通过寻找一种形式来“正常化”非规范经验的混乱感受,从而将退化指标去病理性化。贝克特将残疾作为审美原则,将情感形式化,从而将体现理想的分歧普遍化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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