Film Review Karya, A Film by Abror Rivai: Calmly Waiting for the Community

H. Muthalib
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Abstract

Karya(2017), a debut feature film from Abror Rivai, takes a highly personal approach in the telling of its story -a marked contrast to the usual, popular and prevalent genres. It is Abror's expression of his concerns for the future of Malay film storytelling and its filmmakers, who he sees as continuing the tradition of the village storytellers of ancient times. Abror also indulges in intertextuality by referencing many films wherein he sees narrative and stylistic similarities with his own approach. This paper explores some of Abror's concerns about Malay film storytelling as well as that of the state of the mainstream film industry which keeps churning out inane films which only appeal to a commercial, non-thinking audience. It is this that is preventing the rise of young, formally-trained filmmakers, who like himself, are eager to give voice to new, alternative and meaningful narratives. Abror has taken it upon his shoulders to initiate a long-awaited change in the state of affairs, come hell or high water, and to bring Malay cinema to be at par with world cinema.
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电影评论:《卡娅》,一部由阿布罗尔·里瓦伊执导的电影:平静地等待社区
《卡里亚》(2017)是阿布罗尔·里瓦伊的处女作,在讲述故事时采用了高度个人化的方式——与通常的、流行的和流行的类型形成鲜明对比。这是Abror表达他对马来电影叙事和电影人未来的担忧,他认为这些电影人将延续古代乡村讲故事人的传统。Abror也沉迷于互文性,他引用了许多电影,在这些电影中,他看到了与他自己的方法相似的叙事和风格。本文探讨了Abror对马来电影叙事的一些关注,以及主流电影工业的现状,这种现状不断地生产出空洞的电影,只吸引商业的、不思考的观众。正是这一点阻碍了受过正规训练的年轻电影人的崛起,他们和他一样,渴望为新的、另类的、有意义的叙事发声。Abror肩负起了他的责任,开启了人们期待已久的改变,无论情况如何,都要让马来电影与世界电影并驾齐驱。
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