‘Words have no smell’: faecal references in eighteenth-century French théâtre de société

Jennifer Ruimi
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Abstract

During the eighteenth century, society theatre saw the emergence of forms that evaded censorship. Many of these works break with the rules of classical propriety and freely evoke the lower body, both the belly and its excremental waste. These references have a clear carnivalesque dimension, but this chapter argues that they also have wider aesthetic and ideological implications.
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“言语没有气味”:18世纪法语《tre de socie》中关于粪便的引用
在18世纪,社会戏剧出现了逃避审查制度的形式。这些作品中有许多打破了古典礼仪的规则,自由地唤起了下半身,腹部和它的排泄物。这些参考文献具有明显的狂欢性,但本章认为它们也具有更广泛的美学和意识形态含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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‘Words have no smell’: faecal references in eighteenth-century French théâtre de société Introduction: entrails and digestion in the eighteenth century Sawney’s seat: the social imaginary of the London bog-house c.1660–c.1800 Potbelly, paunch and innards: variations on the abdomen in Marivaux’s L’Homère travesti and Le Télémaque travesti Eighteenth-century paper: the readers’ digest
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