Architectures of Totality: Structure, History and Polemos in Kafka and Borges

P. Dove
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Abstract

Abstract:Parable in the works of Franz Kafka provides a literary site for exploring the relation between likeness and difference and between what can be compared and the limit of comparison. By the same token, the parabolic topos of Babel points toward an internal limit for political power and the logic of sovereignty, a limit that both gives rise to sovereignty and ruins its attempts to consolidate itself as all-encompassing and permanent. With Jorge Luis Borges, meanwhile, his return to the parable of Babel gives rise to a consideration of the absolute or specular identity of thought and being and of how such an identity would in fact announce the end of history as such. For Borges, it is from the temporality of time that history draws its possibility, above and beyond all claims to unified thought and being.
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整体的建筑:卡夫卡与博尔赫斯的结构、历史与波勒莫斯
摘要:卡夫卡作品中的寓言为探讨相似与差异、可比性与可比性之间的关系提供了一个文学场所。出于同样的原因,巴别塔的抛物线主题指向政治权力和主权逻辑的内部限制,这一限制既产生了主权,又破坏了其巩固自身作为包罗万象和永恒的企图。与此同时,豪尔赫·路易斯·博尔赫斯回到巴别塔的寓言引发了对思想和存在的绝对或镜面同一性的思考以及这种同一性实际上是如何宣布历史的终结的。对博尔赫斯来说,正是从时间的暂时性中,历史获得了它的可能性,超越了所有要求统一思想和存在的要求。
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