{"title":"Literary Tourists and Soldier Heroes","authors":"C. Lamont","doi":"10.3366/edinburgh/9781474443272.003.0007","DOIUrl":null,"url":null,"abstract":"This chapter looks at the image of Glasgow via the late-Georgian, or Romantic-era, infatuation with literary and military figures. Building on the seminal work of Nicola Watson (Literary Tourism) and Graham Dawson (Soldier Heroes), Glasgow is shown to have fashioned itself as a centre of the British Empire.","PeriodicalId":278022,"journal":{"name":"The Cultural Memory of Georgian Glasgow","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Cultural Memory of Georgian Glasgow","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474443272.003.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
This chapter looks at the image of Glasgow via the late-Georgian, or Romantic-era, infatuation with literary and military figures. Building on the seminal work of Nicola Watson (Literary Tourism) and Graham Dawson (Soldier Heroes), Glasgow is shown to have fashioned itself as a centre of the British Empire.
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