Introduction: Experiment and the Art of Writing

Philipp Erchinger
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Abstract

The general introduction outlines the topic of the study, experimental knowledge-making in Victorian literature and science, and the practice-based method through which it will be explored. To this end, it provides a brief exposition of relevant work in science studies, sociology and anthropology while emphasising the literary critical perspective of the book. Moreover, the introductory chapter situates Artful Experiments in the field of Victorian literature and science scholarship, showing, by means of two examples from the work of Charles Darwin and Robert Browning, how it deviates from the well established ‘two-way traffic’ approach and what it has to offer instead. The relation between experiment and writing is also introduced and clarified here.
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导论:实验与写作艺术
一般介绍概述了研究的主题,维多利亚文学和科学的实验知识制造,以及通过实践为基础的方法来探索。为此,本书简要介绍了科学研究、社会学和人类学方面的相关工作,同时强调了本书的文学批评视角。此外,引言章节将《巧妙的实验》置于维多利亚时代文学和科学学术领域,通过查尔斯·达尔文和罗伯特·勃朗宁的两个例子,展示了它是如何偏离公认的“双向交流”方法的,以及它必须提供什么。本文还介绍并阐明了实验与写作的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Introduction: Experiment and the Art of Writing Robert Browning’s Experiment: Composition and Communication in The Ring and the Book The Art of Science: Nineteenth-Century Theory and the Logic of Practice William Morris’s ‘Work-Pleasure’: Literature, Science and Fine Art The Making of Sensation Fiction
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