Touching Our Breathing through Shape-Change: Monster, Organic Other, or Twisted Mirror

Pavel Karpashevich, Pedro Sanches, Rachael Garrett, Yoav Luft, Kelsey Cotton, Vasiliki Tsaknaki, K. Höök
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引用次数: 14

Abstract

We report on a soma design process, where we designed a novel shape-changing garment—the Soma Corset. The corset integrates sensing and actuation around the torso in tight interaction loops. The design process revealed how boundaries between the garment and the wearer can become blurred, leading to three flavours of cyborg relations. First, through the lens of the monster, we articulate how the wearer can adopt or reject the garment, resulting in either harmonious or disconcerting experiences of touch. Second, it can be experienced as an organic “other”-with its own agency-resulting in uncanny experiences of touch. Through mirroring the wearer’s breathing, the garment can also be experienced as a twisted version of one’s own body. We suggest that a gradual sensitisation of designers-through soma design and reflection on the emerging human-technology relations-may serve as a pathway for uncovering and articulating novel, machine-like, digital touch experiences.
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通过变形触摸我们的呼吸:怪物、有机异物或扭曲的镜子
我们报告了一个soma设计过程,在那里我们设计了一种新颖的变形服装——soma紧身胸衣。紧身胸衣将躯干周围的传感和驱动集成在紧密的交互环中。设计过程揭示了服装和穿着者之间的界限是如何变得模糊的,从而产生了三种电子人关系。首先,通过怪物的镜头,我们阐明了穿着者如何接受或拒绝这件衣服,从而产生和谐或不安的触摸体验。其次,它可以作为一个有机的“他者”来体验——有它自己的代理——从而产生不可思议的触摸体验。通过模仿穿着者的呼吸,这种衣服也可以被体验为自己身体的扭曲版本。我们建议,通过躯体设计和对新兴的人与技术关系的反思,设计师逐渐变得敏感,这可能是发现和阐明新颖的、类似机器的数字触摸体验的途径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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