BEING WATCHED BY TV: SURVEILLANCE AT HOME

Ananda Mitra
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Abstract

The Television (TV) that became a ubiquitous part of households in many parts of the World since World War II has been witnessing a significant transformation since the turn of the Twenty-First Century. Starting in the early 2000s, the TV has morphed in many ways such as in the size and quality of picture it delivers, the kind of content it can offer, and the multiple ways in which it can be used. Yet, in spite of these changes, it has been the case that the TV has remained a site to consume narratives. It is only in the past few years, with the advent of the “smart” TV has the tool been connected to the Internet and can gather information about the viewer in front of the TV instrument. In this essay I argue that the TV, originally the conduit for offering passive narratives to the audience, is transforming into a tool that can watch over the audience and construct a dynamic narrative of the audience, thus operating as tool for surveillance.
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被电视监视:家里的监视
自第二次世界大战以来,电视(TV)成为世界许多地区家庭中无处不在的一部分,自21世纪初以来,电视经历了重大变革。从21世纪初开始,电视在很多方面都发生了变化,比如它提供的图像的大小和质量,它可以提供的内容种类,以及它的多种使用方式。然而,尽管发生了这些变化,电视仍然是一个消费叙事的场所。只是在过去的几年里,随着“智能”电视的出现,这个工具被连接到互联网上,可以收集电视机前观众的信息。在这篇文章中,我认为电视原本是向观众提供被动叙事的渠道,正在转变为一种可以监视观众并构建观众动态叙事的工具,从而作为监视工具。
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