TRANSFORMATION OF THE IMAGE OF THE PROPHET AND THE PROPHETIC WORD IN THE WORKS OF K.D. BAL’MONT AND V.YA. BRYUSOV IN COMPARISON WITH THE POEM “THE PROPHET” BY M.YU. LERMONTOV

A. Aksenova, K. Sinegubova
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Abstract

The purpose of the article is to consider the image of the prophet and the prophetic word in the works of the poets of the Silver Age in comparison with the previous tradition presented in the text of M.Yu. Lermontov. The transformation of the poet-prophet noted by researchers, which occurs in the lyrics of the Silver Age, is clarified in our article by considering the change of functions of the prophetic word. In conclusion, it is found out that with numerous motivational and semantic calls, the prophetic word in the lyrics of K. Bal’mont and V. Bryusov indicates a different direction. In the “Prophet” M. Lermontov’s dramatic conflict between the world and the truth is fundamentally insoluble, the prophet Moses in the work of V. Bryusov formally realizes his purpose, but loses the meaning of life, in the works of K. Bal’mont, the prophet denounces the gray and boring life of people, putting forward the ideals of play, creativity in contrast to it, opposes the rational and ecstatic.
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先知形象和先知话语在巴蒙和维雅作品中的转变。Bryusov与m.yu的诗“先知”的比较。莱蒙托夫
本文的目的是将白银时代诗人作品中的先知形象和先知话语与之前的传统进行比较。莱蒙托夫。研究人员注意到的白银时代歌词中诗人-先知的转变,本文将从预言词功能的变化来加以澄清。综上所述,巴尔蒙特和布吕索夫的歌词中预言性的词语有着众多的动机性和语义性的召唤,表明了一个不同的方向。在《先知》中,莱蒙托夫的世界与真理的戏剧性冲突是根本无法解决的;在布吕索夫的作品中,先知摩西形式上实现了他的目的,但失去了生命的意义;在巴尔蒙特的作品中,先知谴责人们的灰色和无聊的生活,提出了游戏的理想,创造性与之形成对比,反对理性和狂喜。
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