Pub Date : 1900-01-01DOI: 10.31249/litzhur/2021.51.01
Sergei Shultz
The Renaissance comedy of N. Machiavelli «Cletia» (1525), the story by I.S. Turgenev’s «First Love» (1860), the novel by F.M. Dostoevsky’s «The Brothers Karamazov» (1879-1880) reveals related plot situations and motives. All three texts depict the situations of love rivalry for one woman between two applicants - a father and a son. These situations, having the pathos of a tragicomic paradox, are resolved, however, in several different semantic registers and in several different pretentious fillings. Machiavelli is edifying. Turgenev remains closed in the chamber, private sphere of the personality (and touches little on the general social). In «The Brothers Karamazov», within the framework of Dostoevsky’s analysis of the general contemporary crisis, the author’s skepticism does not find a way to self-overcoming.
{"title":"Machiavelli – Turgenev – Dostoevsky: transformation of the tragicomic motif («Cletia», «The First Love», «The Brothers Karamazov»)","authors":"Sergei Shultz","doi":"10.31249/litzhur/2021.51.01","DOIUrl":"https://doi.org/10.31249/litzhur/2021.51.01","url":null,"abstract":"The Renaissance comedy of N. Machiavelli «Cletia» (1525), the story by I.S. Turgenev’s «First Love» (1860), the novel by F.M. Dostoevsky’s «The Brothers Karamazov» (1879-1880) reveals related plot situations and motives. All three texts depict the situations of love rivalry for one woman between two applicants - a father and a son. These situations, having the pathos of a tragicomic paradox, are resolved, however, in several different semantic registers and in several different pretentious fillings. Machiavelli is edifying. Turgenev remains closed in the chamber, private sphere of the personality (and touches little on the general social). In «The Brothers Karamazov», within the framework of Dostoevsky’s analysis of the general contemporary crisis, the author’s skepticism does not find a way to self-overcoming.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115360460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2022.55.07
Sergei Shultz
The article is devoted to the development of the image of the Snow Maiden in the works of the same name by N. Hawthorne, A.N. Ostrovsky, as well as the transformation of the image in Chekhov’s drama “Three Sisters”, lyric cycle by A.A. Block “Carmen”. For the mythopoetic level, it is significant that there is a belief about the transformation of water into wine, into the blood of Christ. From here, you can see the proximity of the Snow Maiden’s melting, her transformation into water - the rite of the Eucharist, the communion of the blood and flesh of Christ. Correlation with the motive of the blood of Christ also makes the myth of the Snow Maiden closer to the Western European story of the Grail. Therefore, in the allegorical (conditional) aspect of the plot, the ending of Ostrovsky’s fairy tale play is read not only as Yarila’s victory, but also as the decline of paganism, a departure from primitiveness to Christianity. The evolution of the Snow Maiden’s image from Hawthorne and Ostrovsky through Chekhov to Blok demonstrates the literalization of the image, its complete translation into a mythopoetic plan, devoid of any allegorization or convention.
{"title":"N. HAWTHORN, A.N. OSTROVSKY, A.P. CHEKHOV, A.A. BLOK EVOLUTION OF THE IMAGE OF SNOW MAIDEN","authors":"Sergei Shultz","doi":"10.31249/litzhur/2022.55.07","DOIUrl":"https://doi.org/10.31249/litzhur/2022.55.07","url":null,"abstract":"The article is devoted to the development of the image of the Snow Maiden in the works of the same name by N. Hawthorne, A.N. Ostrovsky, as well as the transformation of the image in Chekhov’s drama “Three Sisters”, lyric cycle by A.A. Block “Carmen”. For the mythopoetic level, it is significant that there is a belief about the transformation of water into wine, into the blood of Christ. From here, you can see the proximity of the Snow Maiden’s melting, her transformation into water - the rite of the Eucharist, the communion of the blood and flesh of Christ. Correlation with the motive of the blood of Christ also makes the myth of the Snow Maiden closer to the Western European story of the Grail. Therefore, in the allegorical (conditional) aspect of the plot, the ending of Ostrovsky’s fairy tale play is read not only as Yarila’s victory, but also as the decline of paganism, a departure from primitiveness to Christianity. The evolution of the Snow Maiden’s image from Hawthorne and Ostrovsky through Chekhov to Blok demonstrates the literalization of the image, its complete translation into a mythopoetic plan, devoid of any allegorization or convention.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125592754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2022.55.08
A. Aksenova, K. Sinegubova
The purpose of the article is to consider the image of the prophet and the prophetic word in the works of the poets of the Silver Age in comparison with the previous tradition presented in the text of M.Yu. Lermontov. The transformation of the poet-prophet noted by researchers, which occurs in the lyrics of the Silver Age, is clarified in our article by considering the change of functions of the prophetic word. In conclusion, it is found out that with numerous motivational and semantic calls, the prophetic word in the lyrics of K. Bal’mont and V. Bryusov indicates a different direction. In the “Prophet” M. Lermontov’s dramatic conflict between the world and the truth is fundamentally insoluble, the prophet Moses in the work of V. Bryusov formally realizes his purpose, but loses the meaning of life, in the works of K. Bal’mont, the prophet denounces the gray and boring life of people, putting forward the ideals of play, creativity in contrast to it, opposes the rational and ecstatic.
{"title":"TRANSFORMATION OF THE IMAGE OF THE PROPHET AND THE PROPHETIC WORD IN THE WORKS OF K.D. BAL’MONT AND V.YA. BRYUSOV IN COMPARISON WITH THE POEM “THE PROPHET” BY M.YU. LERMONTOV","authors":"A. Aksenova, K. Sinegubova","doi":"10.31249/litzhur/2022.55.08","DOIUrl":"https://doi.org/10.31249/litzhur/2022.55.08","url":null,"abstract":"The purpose of the article is to consider the image of the prophet and the prophetic word in the works of the poets of the Silver Age in comparison with the previous tradition presented in the text of M.Yu. Lermontov. The transformation of the poet-prophet noted by researchers, which occurs in the lyrics of the Silver Age, is clarified in our article by considering the change of functions of the prophetic word. In conclusion, it is found out that with numerous motivational and semantic calls, the prophetic word in the lyrics of K. Bal’mont and V. Bryusov indicates a different direction. In the “Prophet” M. Lermontov’s dramatic conflict between the world and the truth is fundamentally insoluble, the prophet Moses in the work of V. Bryusov formally realizes his purpose, but loses the meaning of life, in the works of K. Bal’mont, the prophet denounces the gray and boring life of people, putting forward the ideals of play, creativity in contrast to it, opposes the rational and ecstatic.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121875569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2021.53.11
A. Ranchin
The article discusses the introductory chapter of the History of One City by M.Ye. Saltykov-Shchedrin and argues that the interpretation of the villainous Roman emperors (Caligula and Nero) by the fictional author of the introduction as a kind of symbolic figures - models for famous rulers - was inspired by the assessment of the “glorious” crimes of the French robber Cartush in the introduction of Matvei Komarov’s book The Story of the Swindler Van’ka Cain . The author of The History of One City , using the model of assimilating a morally flawed domestic historical personality to foreign criminals, replaces the ingenuous admiration characteristic of the pretext with an ironic one. The parallel with the book about Van’ka Kain is not the only echo with the works of Russian literature of the 18th century in the introduction to the chronicle of Saltykov-Shchedrin. The text of introduction also reveals a correlation with the Ode of 1747 by M.V. Lomonosov.
{"title":"ON THE QUESTION OF THE PRETEXTS OF THE ISTORY OF ONE CITY BY M.E. SALTYKOV-SHCHEDRIN","authors":"A. Ranchin","doi":"10.31249/litzhur/2021.53.11","DOIUrl":"https://doi.org/10.31249/litzhur/2021.53.11","url":null,"abstract":"The article discusses the introductory chapter of the History of One City by M.Ye. Saltykov-Shchedrin and argues that the interpretation of the villainous Roman emperors (Caligula and Nero) by the fictional author of the introduction as a kind of symbolic figures - models for famous rulers - was inspired by the assessment of the “glorious” crimes of the French robber Cartush in the introduction of Matvei Komarov’s book The Story of the Swindler Van’ka Cain . The author of The History of One City , using the model of assimilating a morally flawed domestic historical personality to foreign criminals, replaces the ingenuous admiration characteristic of the pretext with an ironic one. The parallel with the book about Van’ka Kain is not the only echo with the works of Russian literature of the 18th century in the introduction to the chronicle of Saltykov-Shchedrin. The text of introduction also reveals a correlation with the Ode of 1747 by M.V. Lomonosov.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121225526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2021.54.02
S. Dubrovskaya
The article summarizes the first results of the work within the research project The Bakhtin Encyclopedia and presents the experience of understanding and interpreting the heritage of M.M. Bakhtin in an encyclopedic format. In the process of work, the research team outlined the approaches to the study of the thinker’s heritage as a multi-level system, a comprehensive description of the most important components of which should provide an in-depth perception and further interpretation of Bakhtin’s biography and his scholarly heritage as a whole. Describing what has been done, reflecting on the obtained results and determining the nearest goals and objectives, the author shows the perspective and heuristic value of the encyclopedic format for describing the biography and scholarly heritage of M.M. Bakhtin. The Bakhtin Encyclopedia is considered to be the first step towards the creation of the Bakhtin reference and information resource.
{"title":"THE BAKHTIN ENCYCLOPEDIA AS A FORMAT FOR STUDYING AND DESCRIBING M.M. BAKHTIN’S BIOGRAPHY AND SCHOLARLY HERITAGE","authors":"S. Dubrovskaya","doi":"10.31249/litzhur/2021.54.02","DOIUrl":"https://doi.org/10.31249/litzhur/2021.54.02","url":null,"abstract":"The article summarizes the first results of the work within the research project The Bakhtin Encyclopedia and presents the experience of understanding and interpreting the heritage of M.M. Bakhtin in an encyclopedic format. In the process of work, the research team outlined the approaches to the study of the thinker’s heritage as a multi-level system, a comprehensive description of the most important components of which should provide an in-depth perception and further interpretation of Bakhtin’s biography and his scholarly heritage as a whole. Describing what has been done, reflecting on the obtained results and determining the nearest goals and objectives, the author shows the perspective and heuristic value of the encyclopedic format for describing the biography and scholarly heritage of M.M. Bakhtin. The Bakhtin Encyclopedia is considered to be the first step towards the creation of the Bakhtin reference and information resource.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115772263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2022.58.02
{"title":"ОПТИКА БОЖЕСТВЕННОГО И ЗЕМНОГО В ЭЛЕГИИ ДЖ. ДОННА «НА ПОГРЕБЕНИЕ ЛОРДА ХАРРИНГТОНА, БРАТА ЛЕДИ ЛЮСИ, ГРАФИНИ БЕДФОРД» (1614)","authors":"","doi":"10.31249/litzhur/2022.58.02","DOIUrl":"https://doi.org/10.31249/litzhur/2022.58.02","url":null,"abstract":"","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132769072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2023.59.09
{"title":"IOSIF BRODSKY AND ANNA AKHMATOVA: ABOUT ONE COMMON MOTIF AND ITS DIFFERENT INTERPRETATIONS","authors":"","doi":"10.31249/litzhur/2023.59.09","DOIUrl":"https://doi.org/10.31249/litzhur/2023.59.09","url":null,"abstract":"","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"111 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127309574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2022.55.04
T. Millionshchikova
The present paper concentrates on the American and English Slavic studies on the philosophical, religious and cultural Russian national aspects of the Slavophilism. The present paper also focuses on the ideas are connected with the Slavophilism’s movement: Westernism, “soil science”, “Russian messianic idea”, “active love”, all-unity. The aim of the paper is to show how the Slavophilism is interpreted in the alien cultural environment -in the Slavic researches of USA and. England and to draw the typological parallels between the Russian ideas of Slavophilism / Westernism and with the analogical historical and cultural concepts of the USA: Communitarianism -Liberalism / Libertianism.
{"title":"THE SLAVISTS OF GREAT BRITAIN AND USA ABOUT THE IDEAS OF SLAVOPHILISM","authors":"T. Millionshchikova","doi":"10.31249/litzhur/2022.55.04","DOIUrl":"https://doi.org/10.31249/litzhur/2022.55.04","url":null,"abstract":"The present paper concentrates on the American and English Slavic studies on the philosophical, religious and cultural Russian national aspects of the Slavophilism. The present paper also focuses on the ideas are connected with the Slavophilism’s movement: Westernism, “soil science”, “Russian messianic idea”, “active love”, all-unity. The aim of the paper is to show how the Slavophilism is interpreted in the alien cultural environment -in the Slavic researches of USA and. England and to draw the typological parallels between the Russian ideas of Slavophilism / Westernism and with the analogical historical and cultural concepts of the USA: Communitarianism -Liberalism / Libertianism.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115835689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.31249/litzhur/2022.56.07
A. Nikolyukin
For the first time the topic of laughter in Ancient Russia was voiced in an article by S.P. Schevyrev “The Theory of the Ridiculous, with Application to Russian Comedy” (1851) and in his book “History of Russian Literature” (1846-1860), where he completely opened ancient Russian literature to the reader. In this book the notion of laughter comes through as one of the permanent features of Old Russian and modern Russian literature. Shevyrev calls Daniil Zatochnik (12th century), the master of “weeping laughter and smiling sadness”, the first Russian humorist and compares the lucid laughter of Gogol with Daniil’s humor and laughter. All Russian comedies (by Fonvizin, Griboedov, Gogol) Shevyrev considers as phenomena of funny, bright laughter. This is directed against the old tendency in literary studies to see in every great comedy first of all a satire, a denunciation. In the works of Shevyrev the concept of laughter was expressed by the word “funny”.
{"title":"S.P. SHEVYREV ABOUT THE LAUGHTER IN RUSSIAN LITERATURE","authors":"A. Nikolyukin","doi":"10.31249/litzhur/2022.56.07","DOIUrl":"https://doi.org/10.31249/litzhur/2022.56.07","url":null,"abstract":"For the first time the topic of laughter in Ancient Russia was voiced in an article by S.P. Schevyrev “The Theory of the Ridiculous, with Application to Russian Comedy” (1851) and in his book “History of Russian Literature” (1846-1860), where he completely opened ancient Russian literature to the reader. In this book the notion of laughter comes through as one of the permanent features of Old Russian and modern Russian literature. Shevyrev calls Daniil Zatochnik (12th century), the master of “weeping laughter and smiling sadness”, the first Russian humorist and compares the lucid laughter of Gogol with Daniil’s humor and laughter. All Russian comedies (by Fonvizin, Griboedov, Gogol) Shevyrev considers as phenomena of funny, bright laughter. This is directed against the old tendency in literary studies to see in every great comedy first of all a satire, a denunciation. In the works of Shevyrev the concept of laughter was expressed by the word “funny”.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124336072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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