‘“Shall we gather at the river?”: the folklore and trauma of Toni Morrison’s landscape in Sula’

C. Gooch
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Abstract

ABSTRACT In ‘The Site of Memory,’ Toni Morrison suggests that ‘the act of imagination is bound up with memory’ (98). She goes on to compare the Mississippi River to writers, ‘remembering where we were, what valley we ran through, what the banks were like’ (99). As I demonstrate in this article, it would be a mistake to think of this comparison as a mere metaphor. In this essay, I examine how the characters in Sula rely on and struggle with their communal memories and trauma as they are tied to the river that runs through the Bottom. I argue that Morrison uses the river as a focal point to express the intersection of memory, history, and trauma, both for the individual characters in the book and the Black community at large. Furthermore, I argue that Morrison responds to this violent past by integrating popular folktales and signifying on them in order to help us, and the characters, understand the perils of both the social and natural landscape. Ultimately, I conclude that the presence of the rivers and popular folktales are sites of memory that invoke the histories of oppression that have shaped the lives of the characters in Sula.
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“我们在河边集合好吗?”:托妮·莫里森《秀拉》中风景的民俗与创伤
在《记忆之地》一书中,托妮·莫里森认为“想象的行为与记忆息息相关”(1998)。她继续将密西西比河比作作家,“记得我们在哪里,我们穿过什么山谷,河岸是什么样子”(99)。正如我在本文中所展示的那样,将这种比较仅仅视为隐喻是错误的。在这篇文章中,我研究了《秀拉》中的人物是如何依靠并与他们共同的记忆和创伤作斗争的,因为他们被绑在流经海底的河流上。我认为莫里森用这条河作为一个焦点来表达记忆、历史和创伤的交集,无论是对书中的个人角色还是对整个黑人社区。此外,我认为莫里森通过整合流行的民间故事并赋予其意义来回应这一暴力的过去,以帮助我们和人物理解社会和自然景观的危险。最后,我得出结论,河流的存在和流行的民间故事是记忆的场所,唤起了压迫的历史,塑造了苏拉人物的生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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