{"title":"Virtual Visions-the physics and metaphysics of light and space","authors":"Mike King","doi":"10.1109/EGUK.2002.1011266","DOIUrl":null,"url":null,"abstract":"The computer has made a whole range of new visual art forms possible. The paper describes the thinking behind the Virtual Visions project, which pursues a relatively untrodden sub-form within the digital art genres-3D still imaging for digital print. It is also an argument for the inclusion of science as a theoretical framework from which to pursue art, as an alternative or addition to contemporary cultural and media theory. The paper introduces some of the philosophical and art-theoretical implications of an artform that is predicated on computer graphics technologies, showing how an artist who is also a graphics programmer can bring together such different intellectual disciplines. The paper ends with a request for the computer graphics community to collaborate on this project in which there are many interfacing and aesthetic innovations.","PeriodicalId":226195,"journal":{"name":"Proceedings 20th Eurographics UK Conference","volume":"66 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2002-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings 20th Eurographics UK Conference","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/EGUK.2002.1011266","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The computer has made a whole range of new visual art forms possible. The paper describes the thinking behind the Virtual Visions project, which pursues a relatively untrodden sub-form within the digital art genres-3D still imaging for digital print. It is also an argument for the inclusion of science as a theoretical framework from which to pursue art, as an alternative or addition to contemporary cultural and media theory. The paper introduces some of the philosophical and art-theoretical implications of an artform that is predicated on computer graphics technologies, showing how an artist who is also a graphics programmer can bring together such different intellectual disciplines. The paper ends with a request for the computer graphics community to collaborate on this project in which there are many interfacing and aesthetic innovations.