Nnimmo Bassey: The Activist and His Poetry of Environmental Activism

D. Udoinwang, Kufre A. Akpan
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Abstract

Nnimmo Bassey’s poetic oeuvre projects environmental concerns, as presently occupying prominent place in Nigerian literary sphere, thus, twining this literary voice with the momentum of the ongoing global ‘greening’ campaigns. However, in the Nigerian situation, a sustained undertone of anger, protestation and ethno-political activism remains pronounced in the contemporary context of environmental literature. After the brutal execution of the prominent Ogoni-born ethnic nationality rights activist, environmentalist and writer, Ken Saro-Wiwa, by the Sani Abacha military dictatorship in 1995, Nnimmo Bassey’s environmental watch persists and vehemently echoes in his poetry. His voice has come to serve as a veritable instrument that re-echoes the passionate outcry and activism of Ken Saro-Wiwa. This poetic voice thus reverberates most vociferously in the Nigerian literary firmament and in global environmental action project. This paper, therefore, examines the social import of the convergence of artistic endowment and ecological consciousness in Bassey’s poetry, using ecological postcolonialism as analytical tool. Thus, the conclusion of this work is that artistic talent could be harnessed to advance the cause of socio-political re-engineering of society.
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尼莫·巴西:环境运动的积极分子和他的诗歌
Nnimmo Bassey的诗歌作品反映了环境问题,目前在尼日利亚文坛占据突出地位,因此,将这种文学声音与正在进行的全球“绿化”运动的势头联系在一起。然而,在尼日利亚的情况下,在当代环境文学的背景下,愤怒、抗议和种族政治激进主义的持续基调仍然很明显。1995年,萨尼·阿巴查(Sani Abacha)军事独裁政权残忍地处决了著名的奥戈尼裔少数民族权利活动家、环保主义者和作家肯·萨罗-维瓦(Ken Saro-Wiwa),此后,尼姆·巴西(nimmo Bassey)的环保观察坚持了下来,并在他的诗歌中得到了强烈的呼应。他的声音已经成为名副其实的工具,回响着肯·萨罗-维瓦的激情呐喊和激进主义。因此,这种诗意的声音在尼日利亚文坛和全球环境行动项目中回响最为响亮。因此,本文以生态后殖民主义为分析工具,考察巴塞诗歌中艺术天赋与生态意识融合的社会意义。因此,这项工作的结论是,可以利用艺术才能来推进社会的社会政治再造事业。
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