Reality TV, Poverty Porn, and the "Money Shot": Performing Female Incarceration in Los caballeros las prefieren presas by Minerva Valenzuela

Christina Baker
{"title":"Reality TV, Poverty Porn, and the \"Money Shot\": Performing Female Incarceration in Los caballeros las prefieren presas by Minerva Valenzuela","authors":"Christina Baker","doi":"10.1353/rvs.2023.a901497","DOIUrl":null,"url":null,"abstract":"Abstract:In her teatro-cabaret piece Los caballeros las prefieren presas, Minerva Valenzuela offers a searing critique of the inconceivably cruel abuses women suffer in Mexico's prison system. She does so by way of the charming protagonist Marilynares. Taking center stage with platinum blonde hair, red lipstick, a white body suit, and black heels, she channels the glamour of Marilyn Monroe. However, Marilynares is not an actress, but an inmate at the fictional Santa Martha Lamitas prison, hence the blue smock she wears over her form-fitting outfit. She is also contestant No. 10, competing for her freedom on the metatheatrical reality show \"Hoy se decide mi vida.\" Coached and directed by an invisible voz en off belonging to Mr. Destino, the show's producer and host, Marilynares is instructed to share the most intimate details related to prison life by way of confessional addresses and musical numbers. However, when our protagonist realizes she is being exploited, she decidedly rejects and subverts central tenets of the neoliberal gameshow model: stark individualism and the sought-after \"money shot.\" In refusing to play by someone else's rules, Marilynares hopes her audience will find compassion not just for her, but also for the thousands of women locked away across Mexico.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de Estudios Hispánicos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/rvs.2023.a901497","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Abstract:In her teatro-cabaret piece Los caballeros las prefieren presas, Minerva Valenzuela offers a searing critique of the inconceivably cruel abuses women suffer in Mexico's prison system. She does so by way of the charming protagonist Marilynares. Taking center stage with platinum blonde hair, red lipstick, a white body suit, and black heels, she channels the glamour of Marilyn Monroe. However, Marilynares is not an actress, but an inmate at the fictional Santa Martha Lamitas prison, hence the blue smock she wears over her form-fitting outfit. She is also contestant No. 10, competing for her freedom on the metatheatrical reality show "Hoy se decide mi vida." Coached and directed by an invisible voz en off belonging to Mr. Destino, the show's producer and host, Marilynares is instructed to share the most intimate details related to prison life by way of confessional addresses and musical numbers. However, when our protagonist realizes she is being exploited, she decidedly rejects and subverts central tenets of the neoliberal gameshow model: stark individualism and the sought-after "money shot." In refusing to play by someone else's rules, Marilynares hopes her audience will find compassion not just for her, but also for the thousands of women locked away across Mexico.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
真人秀电视,贫穷色情,和“金钱射击”:表演女性监禁在Los caballeros las prefieren presas由Minerva Valenzuela
摘要:密涅瓦·巴伦苏埃拉在她的歌剧-歌舞作品中,对墨西哥监狱系统中女性遭受的难以想象的残酷虐待进行了尖锐的批评。她通过迷人的主人公玛丽利纳雷斯做到了这一点。淡金色的头发、红色的口红、白色的紧身衣和黑色的高跟鞋,她占据了舞台的中心,展现了玛丽莲·梦露的魅力。然而,玛丽莉娜斯并不是一名演员,而是虚构的圣玛莎·拉米塔斯监狱的一名囚犯,因此她在合身的衣服外面穿了一件蓝色的罩衫。她也是10号选手,在超戏剧真人秀“Hoy se decide mi vida”中争夺自由。在节目的制片人兼主持人德斯蒂诺的一个隐形助手的指导和指导下,玛丽琳娜雷斯被要求通过忏悔地址和音乐数字来分享与监狱生活有关的最私密的细节。然而,当我们的主人公意识到自己被剥削时,她果断地拒绝并颠覆了新自由主义游戏模式的核心原则:赤裸裸的个人主义和备受追捧的“金钱射击”。在拒绝按别人的规则行事的过程中,玛丽里纳雷斯希望她的观众不仅会同情她,也会同情墨西哥各地成千上万被关押的女性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
The Melancholy Void: Lyric and Masculinity in the Age of Góngora by Felipe Valencia (review) Structures Do March in the Streets: De Certeauian Tactics in Jorge Volpi's "Tetralogy of Power" La Hermosa Carne: el cuerpo en la poesía puertorriqueña actual by Juan Pablo Rivera (review) Reality TV, Poverty Porn, and the "Money Shot": Performing Female Incarceration in Los caballeros las prefieren presas by Minerva Valenzuela The Secret to Catalan Political Identity in Ventura Pons's Barcelona (un mapa)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1