Performative Writing as Training in the Performing Arts

P. Santoro
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Abstract

While it can be enjoyable and meaningful for students to perform on stage, they often view a performance’s end as just that—a definitive conclusion, a finished process. However, post-performance reflection, and revision, are critical components of art making. Offering writing strategies and examples of student work, this chapter advocates the body-centered, creative practice of performative writing as a useful method for training in the performing arts—an extended “stage” for students to revisit and reassess their work on the page as fully as on stage.
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表演写作作为表演艺术的训练
虽然对学生来说,在舞台上表演是一件愉快而有意义的事情,但他们通常认为表演的结束只是一个明确的结论,一个完成的过程。然而,表演后的反思和修正是艺术创作的重要组成部分。本章提供了写作策略和学生作品的例子,提倡以身体为中心,创造性的表演写作实践,作为一种有用的表演艺术训练方法——一个扩展的“舞台”,让学生在页面上和舞台上一样全面地重新审视和重新评估他们的作品。
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Introduction: Create, Perform, Teach! Performative Writing as Training in the Performing Arts OPERAcraft: Intersections of Creative Narrative, Music, and Video Games Let's Dance! Warming-Up to All That Moves and Connects Our Writing-Centered Performances Where's that Confounded Bridge? Performance, Intratextuality, and Genre-Awareness Transfer
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