{"title":"Ruins in the Expanded Field","authors":"Jake Romm","doi":"10.21827/krisis.43.1.38398","DOIUrl":null,"url":null,"abstract":"This paper applies the Klein Group form used by Rosalind Krauss in her essay, \"Sculpture in the Expanded Field\", to the field of ruins. The opposition utilized to create the ruin Klein Group is the opposition between vanished and intact. The paper proceeds by classifying and discussing each of the possibilities opened up by the expanded field: ruins (not-vanished ; not-intact), consecrated sites (vanished ; not-vanished), ruin-reproduction (vanished ; intact), and finally the \"necroaesthetical ruin\" (intact ; not-intact). The expanded field and the political and aesthetic implications thereof are discussed primarily in conversation with Paolo Virno's \"Deja Vu and the End of History,\" as well as Achille Mbembe's \"Necropolitics\" and Andreas Huyssen's \"Nostalgia for Ruins.”","PeriodicalId":290939,"journal":{"name":"Krisis | Journal for Contemporary Philosophy","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Krisis | Journal for Contemporary Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21827/krisis.43.1.38398","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This paper applies the Klein Group form used by Rosalind Krauss in her essay, "Sculpture in the Expanded Field", to the field of ruins. The opposition utilized to create the ruin Klein Group is the opposition between vanished and intact. The paper proceeds by classifying and discussing each of the possibilities opened up by the expanded field: ruins (not-vanished ; not-intact), consecrated sites (vanished ; not-vanished), ruin-reproduction (vanished ; intact), and finally the "necroaesthetical ruin" (intact ; not-intact). The expanded field and the political and aesthetic implications thereof are discussed primarily in conversation with Paolo Virno's "Deja Vu and the End of History," as well as Achille Mbembe's "Necropolitics" and Andreas Huyssen's "Nostalgia for Ruins.”
本文将罗莎琳德·克劳斯(Rosalind Krauss)在她的文章《扩展场域中的雕塑》(Sculpture in the Expanded Field)中所使用的Klein Group形式应用于废墟场域。克莱因集团用来制造废墟的对立是消失与完整之间的对立。本文继续对扩展领域所带来的每种可能性进行分类和讨论:废墟(未消失;不完整的),神圣的场所(消失;未消失),废墟繁殖(消失;完整),最后是“死亡美学废墟”(完整;无法如初。扩展的领域及其政治和美学含义主要是通过与保罗·维尔诺的《似曾相识和历史的终结》、阿基利·姆本贝的《死亡政治》和安德烈亚斯·休森的《废墟怀旧》的对话来讨论的。